Beautiful old Japanese woven silk uchikake gown in new condition. The size of this gown is small (much shorter) and light in weight. We are not sure how gowns in this style were worn but our humble guess would be that they were either made into jackets for upper class women (style is similar to kosode from late Edo period), Noh custumes or wedding gowns (though the sleeves are short). Subtle but beautiful, will make a great wall decoration. Dimensions: 47 1/2"(120.7cm)W x 61"(154. ...click for details
A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.
The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira fam ...click for details
A pair of Japanese lacquered iron abumi (stirrups) decorated in gold lacquer on a roiro ground with Ni-o, also known as Kongo Rikishi with delicate scrolling background, the interior in red lacquer. Edo period (probably 17th century). 11 1/8" high, 4 3/4" wide, 12" long.
Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L
This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere.
This fukusa is woven in tsuzure- ...click for details
A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.
Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period.
*The hexagon motif is a typical example of a pattern t ...click for details
Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here. ...click for details
Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".
In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pear ...click for details
An elaborate Japanese coral, silver, and gilt kanzashi (hair pin) formed as a peony spray with butterly shaped pendants hanging from silver chains. The body is made out of stronger mixed metal, Meiji/Taisho period. Kanzashi 8" long, chains 3 1/4" long.
Old rodan and gotoku for Japanese tea room, heavy item made with beautiful craftmanship from the Meiji period (1868-1912). The rodan is placed in the cut out hole of the tea room. Inside the rodan, the gotoku stand is placed (shown upside down in our photos) in ash for kama or kettle.
The dimensions of copper rodan: 16"w x 16"w at the top (the rim is 2.5" wide) and 10" in heigth. The bottom ...click for details