Catalog (216)

A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

A beautiful Chinese silk rug (6' x 9'); the yellow field bearing a central medallion of a front-facing dragon with four side-facing dragons in each corner, all on a stylized linked flower head ground, the border with stylized lotus, peony and other flowers of good fortune.

This is an old hand woven carpet in great quality. The whitish areas shown in some photos are reflections of light on the silk. The five claws dragons are woven on a brown metal background (gilt copper). The gilt is alm...

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head. (...

Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

A set of old hanging ornaments for Buddhist temples or private settings. Decorated with gold leaves (genuine) over the lacquered wood and paper (small ornaments). The color of gold is soft, one or two strings are missing. The last photo shown here is Azabu Dai-Kannon in Chokoku-ji, Tokyo. Approx. length 15 inches long, Meiji period (1868-1912).

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece.

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

Old Japanese doll resembling the Kuge (aristocrat) from the Heian period (794-1185), 16 inches tall. This doll was probably one of the zuishin (imperial guard) dolls for the Hina Festival (Girl’s Day in Japan). His long face mostly resembles the Kyoho-bina which is the imperial pair dolls from the mid Edo period (1603-1868). Considering the quality, size and time (late Edo), this doll must have been made for someone special.

The costume of hina dolls were all copied from the ...

Many stories were written about the rising power of the samurai class in late 12th century Japan. Kanjincho, the Kabuki adaptation of the Noh play, Ataka, was first performed at the end of the Edo period in 1840. The costume and hat of this doll tell us that this is Togashi, a chief officer at Ataka inspection barrier in the Kabuki play, “Kanjincho”. The dimensions of the doll are 13 3/4" tall (including hat) and 16" wide (shoulder 10" wide)

In "Kanjincho", after winning the batt...

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

A Japanese silk oohi (Buddhist priest's ritual shoulder covering), deep salmon pink brocade silk with an overall design of overlapping fan shaped panels and snowflakes interspersed with daisies and Chinese bell flowers, etc; internal corners with Japanese symbols on a white ground. The ties and liner are green silk. Meiji period. Dimensions - 12 1/2" x 58 1/2".

This is an old Japanese towel rack, sometimes called a children’s kimono stand. The metal work is in traditional style and the mounts have been used on many different kinds of lacquer pieces throughout the Edo period. The chrysanthemum mons (family crests) on each end of the mount, were used by the Emperor, royal princes and others outside the Imperial family, in a variety of forms. Although the 16 petal mon was designated for use by the Imperial family, others were entitled to use it. Fo...

Antique uchishiki, Japanese alter cloth, embroidered on silk satin with Chinese theme, “The Seven Sages of the Bamboo Grove”. Probably from late 18th to mid 19th century. 26 3/8" x 25" (67cm x 63 1/2cm).

Condition: This is a beautiful antique textile even with some obvious damage and wear, still solid with a thick cotton backing. The wear is seen particularly on both ends of the design. This quality of needle work is seldom seen.

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together.

The design is of two lucky gods from the The Seven Lucky Gods of Japan (SH...

Japanese samurai dolls, Yoroi and Kabuto (armor and helmet), swords, nobori and carps banner are all a part of the display used for the Boy's Day in Japan. The quality set like this will give a wonderful, rich flavor as a decoration to your home all year around. There is no Maruhei label label on the box but we are pretty sure that this was made by the Maruhei in Kyoto. The similar set that we had seen had the Maruhei label that indicates the set was made in early Taisho period (1912-1926)...

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new. The color is ligher than shown in the photos but it can change to soft to strong depen...

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long. Not wearable, please.

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