Catalog: Antiques: Regional Art: Asian: Japanese: Textiles (90)

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Nobori banners, samurai Yoroi and Kabuto helmets, carps, musha ningyo (warrior doll) were all a part of the display used for Boy's Day (renamed to Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

This is an old Japanese nobori banner with Hideyoshi (Toyotomi), retainers, and a streamer in the background...

Thick, coarse asa (hemp) kimono in beautiful condition: The collar is made out of an old cotton Kasuri, all hand done. Rare find from the Meiji period (1868-1912).

38 inches (sleeve to sleeve) x 36 inches (shoulder to bottom hem)

This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony between families. A fukusa with the crest decoration is very practical because it can be used for the different occasions. Beautiful old tapestry weave (hand woven). The dimensions: 25 1/2" x 27"

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength...

Daimyo hikeshi shozoku: Samurai firefighter's wool jacket with a silk velvet collar; the crest and design are couched with gold leaf thread (wrapped around silk thread), chest protector and belt. Excellent, clean condition with some holes and damages in velvet collar. Late Edo period (1603-1868), 50" wide x 39" long, Chest protector, 25 1/4" long.

There were many fires during the Edo period (1603-1868)...

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...

Antique Japanese fukusa (gift cover), Yuzen-zome (paste regist dye) on silk kabe-ori (coarse crepe silk), early 1900s.

For a man to be a well balanced nobleman, there were requirements to be filled. 'Kin Ki Sho Ga', the four accomplishments of gentlemen, were chosen at an early time in China, practicing Kin (koto, music instrument), ki (go, Chinese chess), sho (calligraphy) and ga (painting)...

The carps and nobori Japanese banners, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish to inspire their boys in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori was used in the battle field to identify the troops, some were to show the warriors where their taisho (general) was...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave)...

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims. Exceptionally beautiful work of embroidery and silver couc...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori. With tsuzure-ori, the weaver weaves over the drawing with their finger nails that ar...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bamboo (take, CHIKU) and plum blossoms (ume, BAI) are put together, they a...

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan. The design on this fukusa ...

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Antique Tansu cover (yutan) with a family crest of crane. There are few Yutans left in original shape like this one. The fabric is a loosely hand woven cotton and is made to fit over the tansu (cabinet), the size of 40" by 18". This cover can be dissembled into a flat cloth of 27 inches by 118 inches. The condition of the fabric appears to be in new condition with two holes between the 72" to 74" location. The color is uneven in some area; small areas show blue than green, some uneven co...

Japanese nobori banner, hand painted (dyed) with samurai Yoshinaka (Kiso no) and Tomoe Gozen, a woman warrior. Dimensions: 15 3/4" wide and 147 1/2" long. Hand woven soft cotton with hand spun yarn. Early 1900s. Excellent condition but please expect some minor stains because of the age. It may hang better without the side handles on the wall.

Yoshinaka is a member of the Minamoto family (Genji) from the late Heian period (794-1185). He was raised on the mountain of Shinano (N...

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown. With the detailed phot...

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

Please see Trocadero#38274 for details.

Antique aizome (traditional Japanese indigo dye) cloth taken from a Japanese bed comforter, thick cotton, circa Meiji Period (1868-1912). Excellent tapestry material. The condition is excellent; it was in new condition when we purchased. This was just washed (twice by mistake) prior to when the photos were taken. There are minor holes (shown in photo) concentrated on the top right side. Because of the size (62 1/2L x 58"W), the photos were taken from the bottom and sides.

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions. The s...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

Beautiful old Japanese woven silk uchikake gown in new condition. The size of this gown is small (much shorter) and light in weight. We are not sure how gowns in this style were worn but our humble guess would be that they were either made into jackets for upper class women (style is similar to kosode from late Edo period), Noh custumes or wedding gowns (though the sleeves are short). Subtle but beautiful, will make a great wall decoration. Dimensions: 47 1/2"(120.7cm)W x 61"(154.9cm)L, sle...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

Toyotomi Hideyoshi has been one of the popular characters for Boy’s Day. He was born in a peasant family and worked his way all the way up to top commander of Japan. His wa...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

This is a beautiful old Japanese maru obi with the design throughout on front and back. It is the kind of obi that we no longer see them produced. The white area is rich white satin and is whiter than shown in the photos. 12-1/4" wide x 154" long. Early 1900.

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx. 66 inches wide (5.5 ft, 1.68 meters) and 166 inches long (13.8 ft, 4.2 meters) without counting the loops on a side and top!

Many Japanese custom start with the purification ceremony; beginning the year with New Year's ceremony followed by the Setsubun in February, which takes place be...

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play. Japanese Noh, which was patronized by Muromachi and Edo Shogun, and performed exclusively for the Samurai class, was actually developed from a dance that farmers...

Large antique furoshiki (Japanese wrapping cloth), aizome Japanese indigo dye decorated in sashiko stitches on four corners. 57 1/4" x 61 1/4"

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery. This is the revolutionar...

This is an old Japanese silk obi. The style of the obi is called Chu-ya (day and night) obi – it’s made with two different fabrics sewn together. As the name suggests, two sides of the obi can be worn for totally different social functions. Both sides are absolutely beautiful on this obi.

The front side of this obi is subtle but quite tasteful. As for the black side, it is ‘Nyogen’ silk fabric from China; there are two characters, ‘nyo gen’ and their distinctive red logo (p...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Hand stitched Japanese short jacket, 36" wide x 33" long.

Two characters on this Japanese banner are Yoshitsune (Minamoto family) and Noritsune (Taira family). It was towards end of the Genpei War (1180-1185), Yoshitsune (Minamoto family) flying high on the top escaping the attack of Noritsune (Taira family). Yoshitsune was said to hopped eight boats at this scene. With the victory of the Minamoto clan here in Dan-no-ura concluded the decades old fuel between the two clans; almost all the members of the Taira family, including six years old Emperor ...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...

Old kasuri (Japanese ikat) kimono worn on celebratory occasions. The fabric, which is woven with asa(hemp) and dyed in indigo (aizome), is coarse and stiff yet lustrous with an almost transparent look. The pattern is geometrical and pictorial; with flowering wisteria branches, stylized pines, Chinese style clouds, fans and phoenix-like birds. It shows some weakened area from neck to shoulder lines and the lower part of the kimono. There is a seam at 21.5"/22" from the bottom hem. Looking at ...

Old Japanese nobori banner, a spectacular wall hanging decor piece, circa 1920-1940. Dyed on thick cotton is the farewell scene of *Kusunoki Masashige with his son, Masatsura at Sakurai station. The scroll handed to his son is a will written for the family before he headed to the last battle.

This type of picturesque banner has been used for the Japanese Boy’s Day since late Edo period. Some are still made today but the quality has changed; most of the new noboris are printed. The whit...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period. The design on the fabric is the four benevolent animals of Chinese mythology; qulin, drag...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”. The original version of the "Eight Views" is said to be painted by Song Di in the 11th century – the paintings no longer exist today.* The masterpiece that depicted beautiful landscapes around Lake Dongting in Hunan Provinc...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...