Catalog: Antiques (248)

Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.

*The Elements of Japanese Desgn by John W. Dower

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era...

Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".

In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pearl, and maie (sea shell)...

Japanese Takeda Samurai doll from late Edo to early Meiji, 1800s. Takeda dolls were made to model Kabuki actors and puppet dolls from the late Edo period (1603-1868). The doll is possibly Benkei, a faithful retainer to Yoshitsune (Minamoto).

Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Three Jokan Dolls are part of a Hina doll set for the Japanese Girl's Day. They are to serve the Emperor and Empress with drinks and food. The young and pretty are usually choosen for this role. Many sets have one older married woman sitting in the middle, possibly a supervising figure? Her hair is usually done in a less attractive manner and she often has her teeth blackened. It was the sign of being a married woman at the time...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery...

Make-up plays a vital roll in a Kabuki play because it is dark in the Kabuki Theater (especially in 17th century Edo period without light bulbs). It was sometimes exaggerated, along with their costumes, to let the audience know right away who they were and also their emotional stages...

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles. The designs of this obi are ancient Chinese mirrors, which covers f...

Beautiful Uchikake (formal gown worn over a kosode kimono by the wealthy women of the Edo period) with a pair of peacocks and peonies, "the flowers of riches and honors". I am not sure how this gown was worn- with a loose belt or no belt, with the hem up or down? The gorgeous gowns that I have seen in photos (Mitsui Collection?) were maternity gowns for the Mitsui princess in the late Edo to Meiji period. Their maternity gowns had a skinny belt attached in the back. This gown has a skin...

These dolls are a part of the Hina doll set displayed for the Japanese Girls Day, Hina Matsuri (Festival) in March. The day is also called Peach Festival. When the peach blossoms open in February to March by breaking through the snow, it is an announcement of the beginning of spring in Japan. The blossoms are very much associated with women’s strength and for this reason, along with their beauty, daintiness and softness, these are all desirable characters for women.

These three Kanjyo ...

Antique Chinese fan with two lovely women hand painted on feathers. The body of the fan appear to be made of bone. The colors of the peacock feathers are beautiful.The light reflected in gold (frame), took away the age. All and all, It has more antique look than shown in the photos. We just had the nails (that hold the glass to the wooded frame) checked, and hanging wire and brackets changed. 30 1/4" W x 18 1/4" H x 2 1/4"D

Exceptionally beautiful Japanese lacquer box with a small doll, mame (pea sized) Ichimatsu nigyo (doll) inside - she actually is 4 ½” tall. This must have been some girl's (or woman’s) treasure box years ago. It may have been a gift from her mother or grandmother. The lacquer box is decorated with auspicious designs; a long tailed turtle emerging from a stream, pine, bamboo and rocks on the bank with a crane flying above. The combination of pines, bamboos and plums (painted in inside) ...

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition. It is not as shiny as it looks in photos. The lining is an old, red (light red color, not orange as it appears in some photos) crepe silk with padding on the rims. Exceptionally beautiful work of embroidery and silver couc...

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori. With tsuzure-ori, the weaver weaves over the drawing with their finger nails that ar...

The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper). The hair of empress doll is original but very brittle and almost all det...

A set of old Japanese wooden combs with a cloth comb holder. These are hair styling combs used when most women had the hairdo of today’s geisha. Each comb had a different function which was basically to comb, style and clean the hair. The combs here are all hand cut and it appears that some were added later. All combs are cleaned.

The outside of the folder is covered with a fabric called sarasa. Sarasa is a Japanese term for the Indian Chintz which was first introduced to Japan in t...

Fine old zuishin dolls from the Meiji period (1868-1912), approx. 8” (20.3cm) tall. Zuishin dolls are commonly called daijin (minister) dolls; the elder man on the right (facing) is called "left daijin" and the younger man, right daijin or ya (arrows) daijin. They were created as an addition to the emperor and empress Dairi-bina sometime in the mid 18th century by Kyoto doll makers. Armed with a sword, bow and arrows, they were the toneri (zuishin) from the Heian court (794-1185). Th...

A fine silver kiseru (kizeru) pipe with natural bamboo body, the ends finely engraved with a dragon and tiger in the bamboo grove. The color of the central bamboo section is dark (almost black) with purple tint. The eye (eyes) is inlaid with gold (very small though). Circa 1900. 7 1/4” (18.8cm)

The Kanzashi hair accessory has been the main jewelry for Japanese women. This antique comb and hair pin set has a wonderful design of turtles in the bay area on one side and landscape on the other side. It is a classic design in gold makie on tortoiseshell with coral inlay. Hair Pin is 5 3/4" long, comb 3" long and 1" in width. Meiji period (1868-1912).

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition. 1 5/8" x 2 3/16" x 3/16" thick (4.3cm x 5.5cm x 0.7cm)

This is one half side of a pair that can be used as an accent piece (necklace, belt, etc). We added a decorative string, obijime (a tie for Japanese obi) to make this into a soft...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bamboo (take, CHIKU) and plum blossoms (ume, BAI) are put together, they a...

This is a wonderful set of Japanese bridal kanzashi (hair ornaments) from the Meiji to Taisho period, late 1800s to early 1900s, made out of tortoise shells. We assume that this kanzashi was decorated with the auspicious emblem, a phoenix bird in paulownia tree, with some elements (leaves, flowers and birds) altered to the family of the bride. It has an aura of nobility and power. The family crest on the box is three ivy leaves. There is always a chance that the box may not be original but ...

A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period. The colorful and exotic fabric originated in India (spread to Java, other parts o...

Please see Trocadero#38274 for details.

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period. The design on the fabric is the four benevolent animals of Chinese mythology; qulin, drag...

A Chinese informal robe with mandarin collar, decorated using couched silver threads, with auspicious symbols of baskets with flowers, double eternal knots, scattered fruit and flowers and a central floral roundel above stylized waves and water, all on a dark blue silk ground (near black); lighter blue lining. Circa 1900 - 1920.

Old Japanese nobori banner, a spectacular wall hanging decor piece, circa 1920-1940. Dyed on thick cotton is the farewell scene of *Kusunoki Masashige with his son, Masatsura at Sakurai station. The scroll handed to his son is a will written for the family before he headed to the last battle.

This type of picturesque banner has been used for the Japanese Boy’s Day since late Edo period. Some are still made today but the quality has changed; most of the new noboris are printed. The whit...

Antique Japanese samurai doll, a flag-bearer sitting on a chair, 15 inches tall to the top of his head. This is a popular retainer doll paired with a general doll for the Japanese Boy’s Day. All the retainer dolls are usually not handsome; some look quite funny contrary to the handsome general dolls. You can even see a size difference for some in the set; there will be a big handsome general doll and a small retainer doll with a funny face to enhance the difference. The armor and clothes on ...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

The Zuishin dolls are a part of the Hina Ningyo doll set for Hina Matsuri, the Girl’s Day Festival in Japan. Though they are commonly called Daijin minister dolls, they are the figures of Toneri, the imperial guardsmen and escorts from the Heian period (794-1185).

It was said that the Zuishin dolls were already seen (created and added to the Imperial Hina couple) in Kyoto during the Meiwa era (1764-1772) while the musician dolls were created in Edo (current Tokyo) at the same time. J...

A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Antique Japanese folk hina dolls, three servants (Shitei,Shicho) from the Heian Imperial Court (794-1185). The dolls are part of the Hina Matsuri festival for girls in Japan. The standing doll is 8 3/4" tall, and the other two dolls are 7 1/4" to 7 1/2" tall.

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”. The original version of the "Eight Views" is said to be painted by Song Di in the 11th century – the paintings no longer exist today.* The masterpiece that depicted beautiful landscapes around Lake Dongting in Hunan Provinc...

This is the upper part of a kamishimo; samurai's formal attire without the trousers. It was worn over a kosode (kimono with small sleeves) with trousers. The texture is hemp like; coarse, slightly translucent, thick threads (thicker than other kamishimo). The family crest is the feathers of a hawk. Kami-shimo (upper-lower) that we currently have are quite dandy and fashionable. The amazing thing is the work that is involved when making these fabrics. You can make a kamishimo top into a g...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...

A hexagonal Chinese covered dish, decorated in overglaze enamels win the Famille Jaune pallette. The motifs seen in the shaped collar (in the form of a ryui fungus) around the lid are Buddhist precious objects. the flowers are those usually found on such porcelains and include hawthorn (prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the sides would originally have had wire carriers fitted. This piece dates from the 19th century

Dimensions: 11 1/4" width (tip t...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai. It ...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

Japanese hair comb decorated with a pair of love birds, Oshidori (Mandarin ducks) perched on a plum tree, raised gold makie with silver, kirikin and shells. The theme here is auspicious. We counted 33 teeth in 3 cm, amazingly skillful hand work. Excellent condition - actual color loss in the center area of wooden teeth is not so obvious as shown in the photos. Circa, Meiji period (1868-1912) Dimensions: 3 1/4" x 1 1/8"

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength. Combined with a gold bag and mallet of Dai-koku symbolizing wealth, there is no...

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior. The Empress, after losing her hair, was...

Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417). Meiji period (1868 - 1912). To search by the item numbers, just enter the num...

Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship. The custom of eating and drink...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring. Plums are often asso...

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like. It is in excellent condition except two chains are missing from one - not notice...