Catalog: Vintage Arts: Regional Art (166)

A set of five Japanese Fukagawa porcelain bowls and covers, each decorated in gold, iron red and underglaze blue, with a delicate design of maple branches. Marked on the bottom with a Mt. Fuji (and river) logo of the Fukagawa Seiji Porcelain Company, circa 1920-1940.

Approx. Dimensions of Bowls 4" (10.1cm) in diameter and 2 3/8" (5.5cm) in height. Lids, 3.5" (9.5cm) in diameter. Total 3" (7.5cm) in height.

Japanese hair comb and Kogai hair pin in a Wakasa-nuri Lacquer finish on wood, circa early 1900s. Wakasa-nuri lacquer is a unique urushi lacquer technique that uses stones (coarse to soft) to scrape and reveal different layers of lacquer coatings which are painted on wood using many different colors. The dimensions of the comb are 1 1/4 inches and 3 1/4 inches, pin 5 3/4 inches long.

Japanese Kyoto Nishijin silk obi roll. This is a soft, medium thick, high quality silk fabric with genuine high grade gold leaves woven in. Stamped Kyoto Nishijin and nishiki with a couple seals for passing quality checks. Some stains at the end (very left edge) - not likely to affect. The base silk is cream color. 28 1/2" x 163".

This standing Court lady is in extremely in good quality. She is probably from the Taisho Period (1912

Japanese Fukagawa, Koransha baluster vase decorated in underglaze red with a leaping carp, on a shaded blue ground, Koransha orchid mark to the base, original wood box (13" x 9" x 9"). Dimensions of the vase are 12" in height and 7" in diameter (at the widest).

The term "Jyuban" came from the Portuguese word "gibao" (sleeveless garment). Jyuban is an undergarment worn under a kimono. You might be surprised to discover a piece of art, sometimes breathtaking bold in Juban. The condition of this old kimono is new. 100 percent pure silk. The measurements are 49" wide x 56-1/2" long.

Japanese farmer's folk art, clay doll from early Showa: 10 3/4"h x 6"w Artist's signature on her back, dated in the 15 years of Showa Period (1940). Excellent condition.

WEARABLE ART: This skirt is made out of an old Japanese man's obi belt, chrimen crepe silk with hand tie-dye "shibori". Freshly made out an obi from early 1900 to 1940. Medium size with elastic waist.

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

This is an old man's silk Jyuban, an undergarment worn under a kimono, a luxury from the past. Strange, but you will find quite a work of art in the undergarment, much more than finding them on the outer kimonos. The carps are tie-dyed. Other than a faint stain right above the right side carp, it is in excellent condition. This stain wil not show up unless you look at it under the sun. The measurements are 52" in width and 53" in length. No lining.

It is a beautiful kimono in excellent condition. The black dye changed it's color to a current black which has a tint of brown. The silk is in a super good condition. The design is the favorite design of Kakiemon, the hoo bird and the leaves of the paulownia tree. The hoo bird has been associated with the Empress in Japan and her crest is an elegantly designed paulownia leaves.

The finest servant dolls, Shitei (Shittei,Shicho,Shiccho) from Kyoto, Japan. They are the court servants from Heian Imperial Court and part of Hina dolls displayed for the Girls Day (Hina Matsuri Festival) in Japan. Some damages in the toes of one doll and clothing. The tallest doll is 8 inches tall.

This is a samurai armor set (yoroi and helmet) for Boy’s Day in Japan. By displaying a set like this, the parents hope to inspire boys in their manliness, bravery, discipline and the honor codes that come with it.

Here on the lids, it is written the name of the owner and the occasion. It is to celebrate his first Sekku in the fourteenth year of Showa period (1939). On the reverse side of the lids, there are labels of Tanimoto Yousuke, the doll maker...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. A pair of cranes on the rocks by an ocean may symbolize the couple's long journey together. This is a wonderful work of art, beatiful dye work is enhanced with embroideries that are so skillfully added. Taisho to early Showa, 1920 to 1940.

Gorgeous antique kimono in the best condition. Lined with red gauze silk, it is completely reversible. The color of the black silk has changed over the years to a very dark brownish gray evenly. The colors of the design are very classic Japanese colors as Imari red (brownish red) and same earth tone in every other colors. There is one tiny hole (1/16" in size) right by a family crest, Mon. There is no color loss inside.

Japanese clay doll, Kabuki doll with a dragon. 13"h x 9 1/2" at the widest.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). When the hina dolls were still very limited to a few wealthy people in early 1900s, these clay dolls were for the regular people...

Quality, Japanese lacquered wood kimono hanger. The hanger comes in the box with the old tissue paper inside. The writings on the box and the tissues (old with lots of storage stains - appeared new in the photos) indicate that it was "Made by Wajima", pre WWII. Wajima lacquer has been know for the best for it's superior quality. Very light (kiri wood inside?). Taisho to early Showa, 1920 to 1940. The condition is new (stayed in the box without being used). 25" long, 5/8" in diameter...

Old Japanese Tsumugi fabric, silk pongee with a dragon design, 14 1/2" x 110". There is a 4 1/2" cut half way (location of the cut is 55" from one end), damage on the edge (runs on 30" from one end) is shown in photos #1, 9, #10.

This type of tissue holder is called Hakoseko. They are still being used for very special ceremonial occasions. The older one in this quality is now a collecter's item. Hakoseko will be placed between a kimono and an obi sash with the chains dangling from the chest area. Circa, early to mid 1900s. Dimensions: 4 1/2" x 2 3/4"

An exquisite old Japanese hair comb, lacquered on wood (kiri, boxwood?), practical yet ornamental with make design of wisteria like flowers. It is almost like new, never been used condition. The shape of this comb is unusual, irregular from one side to the other side. The shape is called Shin-bashi shape/style. Shinbashi is located in Minato-ku in Tokyo. The shape came out in early Showa period (end of 1928 to beginning of 1986). 4 1/2"

Top quality Kyoto Nishijin obi in maru obi style (design on both sides). We think this obi is from 1930-1940. No damages. Dimensions: 12 5/8" x 13'5"(161.5")

Old Japanese Silk Temple Cloth #2, Uchishiki
Measurements: 26 1/2" W x 23 " L without the white cloth area
Liner: Paper like fabric
Age: 1900-1940
Condition: Front side is in new condition

The Hina dolls palace is for the Japanese Girl's Day, Hina Matsuri festival. The Hina doll set that I grew up with was displayed in the steps style, which is a common way of displaying 15 dolls with furniture. I have never seen this type of Hina Goten (Palace) until I found several of these recently. It tells us how different things used to be (and still is to some extent) according to regions. The hina dolls were modeled after the Imperial Court from the Heian period (794-1192)...

Japanese Silk Temple Cloth, uchishiki, Phoenix Ho-o bird
Measurements:
Silk, woven, cotton liner
Condition: Never been used

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

Japanese cloth taken from an old futon bed cover, decorated with an auspicious motif of pine, bamboo and plum blossoms. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent...

Japanese Fukagawa porcelain vase decorated with the double arched bridge (Nijyu-bashi) of the Imperial Palace in Tokyo. Singed by the artist、Zippo Araki (1872-1944), in underglaze blue beside his two red seals. This bridge was the one of first place to have electric lights from gas lights in Japan. Mt. Fuji logo of Fukagawa on the base, with inscribed original wood box (tomobako). 8 1/4" (hight) x 7 1/8" (width)

This hair comb and kogai hair pin set is probably from the Taisho to early Showa period, 1920 to 1945. Tortoiseshell. There is an artist signature on the hair pin. Please wear this with a half of signature on each side for better fitting -- see enlargement6. Other than that, it is in good condition.

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

This is an old Japanese man's obi sash (belt for a kimono) with designs on both side. Many of the sashes are found with some damages, so they are often cut out and used to remake something else. Top quality silk in new condition, no damages.

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side...

Ceremonial jinbaori jacket made for Japanese Boy's Day. Jinbaori is a campaign jacket worn over armor by Samurai. They were first made to protect generals from the cold and rain and soon became more elaborate and fashionable by using rare materials such as wool, velvet and brocades.

This is a wool jacket made by Maruhei of Kyoto for boy's festival, Sekku. Founded in Kyoto in 1779, Maruhei (master craft man, Heizo Oki) has been one of the most influential doll makers in Japan...

Japanese folk art, farmer's clay doll: Ooishi Kuranosuke, a historical hero as a leader of the 47 Ronin (samurai without their master) who avenged their master's death and then all committed Seppuku suicide. Artist signed and dated (in 1942) on the back. Measurements are: 12 3/4"h x 7 3/4"w at the widest

All the clay dolls are somehow originated from the Fushimi clay doll of the Kyoto area...

A Japanese bronze vase with red splashed green patination with gold powders, the squat body with tall everted neck, signed on the base Shiho; signed tomobako. Taisho/early Showa period. Height: 7 1/2"

Orange Fukusa, Japanese gift cover from mid Showa, 1930 to 1960. Some color loss but in excellent condition otherwise, no damage, stains or tear. The photos shows it little newer than actual. 19 1/8" W x 20 3/4" L

A beautiful silver work with turquoise stones. The total of eleven large turquoise stones (oval cabochon cut) are mounted on the delicate silver filigree. Beautiful work. No damage to the stones; no cracks or chips. There is a “silver” mark on the silver clasp of the necklace.

The design is auspicious with the good luck charms such as a Chinese characters “shou” (coin-like small design) and bat. Both symbolize happiness, longevity and likely is to protect the wearer from evils by ...