Catalog (414)

Beautiful Japanese maru obi! Obis can be used as a belt to hold a kimono together. The classic design from the Heian Period (794-1192AD) of ox carts, fans and court music instruments run throughout the front and back. The gold is woven into the fabric almost entirely and sparkles when it is hit by light – it has much gentler tones in the dark. The earth tone green and rusty brown are particularly pretty on this obi. With a thick padding inside, this obi will make a great decoration pi...

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417). Meiji period (1868 - 1912). To search by the item numbers, just enter the num...

This doll is a Hakata clay doll, “Matsukaze” design by the well known Japanese artist, Yoshio Matsuoka.

Matsukaze is a story of two beautiful sisters who met and fell in love with a young courtier in exile at the seashore of Suma Bay. The sisters were “shio kumi”, the saltwater bearers who made their living by ladling seawater (before it was boiled down to salt). Matsukaze is the name of the older sister and literally means “wind through the pine trees”. Matsu (pines in...

Hakata ningyo, unglazed Japanese ceramic doll, signed by the well known Hakata ningyo artist, Genzo Soda. The words "early spring" is written next to the artist's signature. This could be the name of the doll or the time of the year that this doll was made. Mr. Genzo Soda is designated as an intangible cultural property holder of Fukuoka prefecture and is the recipient of numerous awards such as the Japanese Prime Minister's award, International Trade and Industry Secretary’s award, Fu...

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

Miyazaki Shikki (lacquer wares) box, 10" x 12 5/8" x 4", new condition, circa late 1900s. The red is actually darker than shown in the pictures.

The high humidity and temperature in Miyazaki Prefecture in Kyushu (southern island, Japan) is perfect for drying lacquer wares. During the Pacific War, there was a group of people who migrated from Okinawa to Miyazaki. Among them were the artisans and workers from the Ryukyu Lacquer Ware. It was at a time that over 200,000 casualties were re...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...

Antique Japanese yogi, thickly woven cotton, trimmed and lined with dark aizome (Japanese blue dye). There is a opening in the center of the liner where the cotton wadding was taken out. Excellent condition (old but new). The accent piece (dyed in Katazome, stencil dye) on the collar and shoulder area were added (remove and wash purpose) and slightly soiled. Late Meiji to early Showa. Dimensions: 63" x 68" L

Antique Japanese fukusa (gift cover), Yuzen-zome (paste regist dye) on silk kabe-ori (coarse crepe silk), early 1900s.

For a man to be a well balanced nobleman, there were requirements to be filled. 'Kin Ki Sho Ga', the four accomplishments of gentlemen, were chosen at an early time in China, practicing Kin (koto, music instrument), ki (go, Chinese chess), sho (calligraphy) and ga (painting). Here on this fukusa, with some variation (tea - sencha? was added), are the Six Immortals of the...

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play. Japanese Noh, which was patronized by Muromachi and Edo Shogun, and performed exclusively for the Samurai class, was actually developed from a dance that farmers...

A Japanese Kutani plate with flat base and short rim, finely painted with a pair of sparrows on a red leafed maple branch, the reverse marked "Kutani". Late Meiji/Taisho period, early 1900s.

Dimensions: Approx. 12" (30.4cm) in diameter, 3/4" (2cm) deep.

A set of five Japanese Fukagawa porcelain bowls and covers, each decorated in gold, iron red and underglaze blue, with a delicate design of maple branches. Marked on the bottom with a Mt. Fuji (and river) logo of the Fukagawa Seiji Porcelain Company, circa 1920-1940.

Approx. Dimensions of Bowls 4" (10.1cm) in diameter and 2 3/8" (5.5cm) in height. Lids, 3.5" (9.5cm) in diameter. Total 3" (7.5cm) in height.

Japanese Imari charger finely enameled with panels of two phoenixes on stylized floral scrolling grounds - all in green, red, blue and purple enamel with gilding. The reverse side is decorated in underglaze blue with karakusa scroll pattern and with fork shaped factory mark. The phoenix (Ho-o in Japanese) is a mythological bird known to appear in time of peace and prosperity. It symbolizes immortality, resurrection and life after death. Dimensions: 16" (40.5cm) in diameter, 2 3/4" (7.2cm)...

Beautiful Kutani porcelain vase; hand painted with a scene of Chinese men in the rocky mountains in underglaze blue. The glaze has slightly blueish tint. Signed Kutani. The dimensions of the vase is 9 3/4 inches in height, 5 3/8 pounds in wood box (appears solid). The dimensions of box: 9" x 9" x 11 1/2". Circa, mid 1900s.

A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s.

This mark (signature) is illustrated in "Hirado: Prince of Porcelains" ...