Catalog: Antiques (248)

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them...

Beautiful Uchikake (formal gown worn over a kosode kimono by the wealthy women of the Edo period) with a pair of peacocks and peonies, "the flowers of riches and honors". I am not sure how this gown was worn- with a loose belt or no belt, with the hem up or down? The gorgeous gowns that I have seen in photos (Mitsui Collection?) were maternity gowns for the Mitsui princess in the late Edo to Meiji period. Their maternity gowns had a skinny belt attached in the back...

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition. 1 5/8" x 2 3/16" x 3/16" thick (4.3cm x 5.5cm x 0.7cm)

This is one half side of a pair that can be used as an accent piece (necklace, belt, etc)...

This is an old Japanese silk purse, or a tissue holder in a wallet style with a silver clasp. It is truly a beautiful piece. The detail photos show the intricate weaving pattern, Sagara embroidery (Peking, French knot) and deep color of genuine gold. The light reflects on the silk in such a beautiful way. They bounce between the delicate indentions that were created from the weaving pattern...

Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period...

A fine silver kiseru (kizeru) pipe with natural bamboo body, the ends finely engraved with a dragon and tiger in the bamboo grove. The color of the central bamboo section is dark (almost black) with purple tint. The eye (eyes) is inlaid with gold (very small though). Circa 1900. 7 1/4” (18.8cm)

Takeda dolls are modeled after the popular characters from the theater play during the Edo period. They are known for their exaggerated posture and facial expressions of the puppet dolls and kabuki actors on stage. The dolls in this style, with the distinguished Kabuki actor’s makeup called ‘kumadori’ (first created by Danjyuro Ichikawa I, 1660-1704) were made in late Edo to early Meiji period...

This is an exceptionally beautiful antique Japanese doll. The face of the doll is small but delicate. It has the look of a Noh mask with painted skinny eyes and a nose that is extra high. This indicates that the doll was intended to be a beautiful woman. The color on her lips is almost all faded leaving a green dot on her lower lip...

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori...

Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".

In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pearl, and maie (sea shell)...

A Japanese leather tobacco pouch with pipe case (kiseruzutsu) and ojime made out of stag horn. The pipe case is finely carved in relief with an eagle on a pine branch above a waterfall; the ojime is engraved and decorated with a key fret design; the pouch with a patinated copper clasp modeled as a frog. All and all, it feel muscular (large) and detailed with quality. Pipe sold separately (Listed, item # 1036417)...

A set of old Japanese wooden combs with a cloth comb holder. These are hair styling combs used when most women had the hairdo of today’s geisha. Each comb had a different function which was basically to comb, style and clean the hair. The combs here are all hand cut and it appears that some were added later. All combs are cleaned.

The outside of the folder is covered with a fabric called sarasa. Sarasa is a Japanese term for the Indian Chintz which was first introduced to Japan in t...

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings. Threatened by their increasing power, the Tokugawa governme...

Japanese antique Zuishin dolls (Ningyo). This set of dolls are often called Daijin minister dolls but they are actually the imperial guardsmen and escorts for the Heian court (794-1185). A beautiful quality set in the perfect size to decorate Hina Goten (Imperial Palace). Meiji Period (1868-1912). Approx. 5” tall, 4 ½” in width.

A set of 10 Hirado porcelain lidded bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The original wood box, tomobako, inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). One bowl is damaged - 9 sets plus a lid. Late Meiji/Taisho period.

This mark (signature) is illustrated in "Hir...

A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s.

This mark (signature) is illustrated in "Hirado: Prince of Porcelains" ...

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

Daimyo hikeshi shozoku: Samurai firefighter's wool jacket with a silk velvet collar; the crest and design are couched with gold leaf thread (wrapped around silk thread), chest protector and belt. Excellent, clean condition with some holes and damages in velvet collar. Late Edo period (1603-1868), 50" wide x 39" long, Chest protector, 25 1/4" long.

There were many fires during the Edo period (1603-1868). The town of Edo was crowded with houses quickly built after the first Tokugawa Sh...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns. ...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength. Combined with a gold bag and mallet of Dai-koku symbolizing wealth, there is no...

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles. The designs of this obi are ancient Chinese mirrors, which covers f...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos.

24 inches x 26 1/2 inches
Sioze silk front and back.
Circa: Early Taisho period (1912-1926)
Occasion: Wedding or related

At the time of gift giving, the fukusa gift cover was used only with limited pe...

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

Beautiful Kyoto Nishijin silk obi, decorated with flowers, ribbons and mirrors. Gold is genuine and used in two different methods; strips of gilt paper (machine cut) and gold leaf wrapped around the silk threads. Some gold leaf are natually missing from the strips of paper - this did not show up in most photos (see enlargement photo). This obi looks older (clean) than shown in the photos. Circa 1920-1940. Dimensions: 12 3/4" x 170"

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients. These bowls fall into that category and were made for Hichozan, by the H...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai. It ...

A Japanese bamboo pipe case with a cut relief design of a bearded old man with a fan, Okina from Noh play, Meiji period. Length 9".

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori. With tsuzure-ori, the weaver weaves over the drawing with their finger nails that ar...

The Kanzashi hair accessory has been the main jewelry for Japanese women. This antique comb and hair pin set has a wonderful design of turtles in the bay area on one side and landscape on the other side. It is a classic design in gold makie on tortoiseshell with coral inlay. Hair Pin is 5 3/4" long, comb 3" long and 1" in width. Meiji period (1868-1912).

Japanese Kanzashi hairpin, maki-e on hand carved wood. A dadaiko (large drum used for court music) and maku (outdoor fence made out of cloth) under the maple trees. They are pictorial subjects from chapter 7 of The Tale Of Genji, Momiji no Ga (An Autumn Excursion). There is a famous scene frequently illustrated from this chapter; Genji, a young and handsome grandson of the emperor, danced 'Sei Kai Ha", Waves of the Blue Ocean, with a maple branch on his crown, which made all the jaws of court ...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring. Plums are often asso...

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Antique Japanese silver and gilt Kanzashi; a hairpin with a humorous design of an old lock placed on "kinchuku", a moneybag, with coral beads. With a clear message, it will be a great gift to someone special. Length 7". Meiji period (1868-1912).

Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.

*The Elements of Japanese Desgn by John W. Dower

A Japanese tissue or cloth holder for a tea ceremony, finely woven with a diamond design, the interior lined in leather, all held together with an ivory clasp carved as a lion's head (shishi) mask, Taisho period.

Japanese Arita vase of ovoid shape decorated in underglaze blue with a continuous design of a small boat on a tranquil lake beside a large rocky outcrop, the base marked Arita kiln, with illegible artist's signature, Taisho period. Height 13"

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play. Japanese Noh, which was patronized by Muromachi and Edo Shogun, and performed exclusively for the Samurai class, was actually developed from a dance that farmers...

Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here.

In this vase, the impressed silver foil ground acc...

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

A Japanese Kutani plate with flat base and short rim, finely painted with a pair of sparrows on a red leafed maple branch, the reverse marked "Kutani". Late Meiji/Taisho period, early 1900s.

Dimensions: Approx. 12" (30.4cm) in diameter, 3/4" (2cm) deep.

Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three. Each dish is numbered 1 to 5 i...

A Japanese tooled leather tobacco pouch decorated in low relief in gold and colors with shaped panels of boys at play, roosters, peonies, ducks, etc, silver peony shaped clasp; the pipe case in pressed fiber in imitation of rattan; agate ojime. Meiji period.

Beautiful Japanese tama (ball) kanzashi with a pink agate ball above a twin pronged gilt mixed metal pin in the original box with a seal. Taisho period. Length 6 3/4"

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center). Making into a tapestry, wall hanging on c...

This kura (saddle) was used in the rituals which took place on the first day of rice planting. The day is called hana-taue (daue), "the flower-rice planting" and it has been practiced in the southern part of Japan. The links to today’s hana-taue is listed at the end. You can hear where the Dengaku (oldest form of Japanese music) came from in the video.

One side of the saddle is decorated with Shishi (lions) and peonies with a crest of “kiri no mon” (crest of Japanese empress ...

Japanese Shoki (demon queller) doll for the Japanese Boy's Day. The story of Shoki came from ancient Chinese folklore. He was known to cure ailing emperor of the Tang Dynasty when he was plagued with nightmares. Shoki showed up in the emperor's dream and chased the demons away. This store was later adopted by the Japanese. Shoki became to be the only non-Japanese figure displayed in early Japanese Boy's Day festival since the Edo period (1603-1868). Circa 1910 to 1930. This is not a ...

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

Strikingly beautiful Japanese Nishijin obi. The style of the obi is the most formal and expensive style which is called maru obi; the design covers front and back, from one end to the other end. This is an older obi than it looks. The colors are vibrant yet elegant. The design is for the joyous occasion with cranes, hand drums, flowers, pines and repeated pattern of waves (sei kai ha) in gold.

Measurements:

Japanese Takeda Samurai doll from late Edo to early Meiji, 1800s. Takeda dolls were made to model Kabuki actors and puppet dolls from the late Edo period (1603-1868). The doll is possibly Benkei, a faithful retainer to Yoshitsune (Minamoto).

Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune. He had been challenging strangers to sword fights so that he could get their swo...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period. The design on the fabric is the four benevolent animals of Chinese mythology; qulin, drag...

Japanese tobacco pouch and kiseruzutsu pipe case in carved red and black lacquer (tsuishu, tsuikoku) with Chinese sages in a rocky landscape. The pouch is delicately hand embroidered in brown tones with the finest silk thread depicting flowers (morning glories?) and leaves with vines. The pocket inside is made out of a Sarasa fabric (treasured cotton fabric by tea masters from Edo period - they were originally brought from India during 16 - 17 centuries ) which is lined with a soft leather. ...

This is an uchikake robe (outer kimono gown) probably used as Kabuki stage costume. The bottom and the openings of sleeves are thickly padded with cotton stuffing. The design is large paulownia leaves and flowers. The exterior and liner are both thick cotton. This robe is old, and a little soiled but the fabrics still have not lost it’s strength. It is an attractive display piece. One small tear (hole) in red liner in the back, some broken couching stitches.

48” (1.22m) wide...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...