Catalog: Antiques: Regional Art (247)

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...

Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.

*The Elements of Japanese Desgn by John W. Dower

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles...

A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s...

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three...

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori...

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition...

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori. He was joined by Chikamatsu Monzaemon, the genius playwright who was often called "the Shakespeare of Japan."

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Old Japanese Biidoro (vidro, Portuguese) kanzashi made out of glass. Glass making was introduced to the Japanese by the Portuguese in the16th century and there has been glass manufacturers in Japan ever since that date. It was particularly popular in Japan during the 19th century. The style of this kanzashi is called tama (ball) kanzashi. The ball is 3/4" (in diameter) natural coral. It is rare to find a glass Kanzashi in this condition. The kanzashi is 7 7/8" long. Meiji period (1868-1912)...

This set of dolls was made for Japanese Boy’s Day. It comes from one of Japanese folklores, Peach Boy, Momotaro. Momo is translated to peach and Taro (ta-ro-o) is a common name for boys. The writing on the label (on the box) is "Wakana Ningyo", the date of purchase is the 10th years of Taisho (1921), 92 years ago! The condition is excellent (old but new condition) - the set appears newer than it actually is in the photos. Momotaro's fan (made out of one piece of paper) is bent down (as sh...

A Chinese informal robe with mandarin collar, decorated using couched silver threads, with auspicious symbols of baskets with flowers, double eternal knots, scattered fruit and flowers and a central floral roundel above stylized waves and water, all on a dark blue silk ground (near black); lighter blue lining. Circa 1900 - 1920.

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

Unique Japanese antique clay doll, Mingei folk art of Japan, Emperor and Empress hina dolls (Dairi bina). Clay dolls were made all over Japan by the late Edo period (1603-1868) by off-season farmers which would often involve the entire family for extra income. These dolls were for the regular people (over 90 percent of the population were farmers then) who could not afford pretty hina dolls made out of cloth. While the early clay dolls in the Edo period still carried religious mean...

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.