Catalog: Antiques: Regional Art: Asian (241)

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients...

Old Japanese Biidoro (vidro, Portuguese) kanzashi made out of glass. Glass making was introduced to the Japanese by the Portuguese in the16th century and there has been glass manufacturers in Japan ever since that date. It was particularly popular in Japan during the 19th century. The style of this kanzashi is called tama (ball) kanzashi. The ball is 3/4" (in diameter) natural coral. It is rare to find a glass Kanzashi in this condition. The kanzashi is 7 7/8" long. Meiji period (1868-1912)...

Nobori banners, samurai Yoroi and Kabuto helmets, carps, musha ningyo (warrior doll) were all a part of the display used for Boy's Day (renamed to Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

This is an old Japanese nobori banner with Hideyoshi (Toyotomi), retainers, and a streamer in the background...

Wonderful old Japanese Imari boat, incense burner (koro) or a nice dish for ... sashimi with soy sauce and wasabi in one side, circa Meiji period (1868-1912).

8 1/4" long x 4 1/2" wide x 3 1/2" tall

Japanese Kanzashi hairpin, maki-e on hand carved wood. A dadaiko (large drum used for court music) and maku (outdoor fence made out of cloth) under the maple trees. They are pictorial subjects from chapter 7 of The Tale Of Genji, Momiji no Ga (An Autumn Excursion)...

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"

Thick, coarse asa (hemp) kimono in beautiful condition: The collar is made out of an old cotton Kasuri, all hand done. Rare find from the Meiji period (1868-1912).

38 inches (sleeve to sleeve) x 36 inches (shoulder to bottom hem)

I thik this is Japanese (?) candlesticks dated from the Meiji period (1863 - 1912). Some holes. The biggest one is shown in the enlargement #7. These are generally caused by too much dampness in Japan. 17 1/2" high.

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

This Chinese vase comes from Canton from the end of the 19th century or perhaps the first few years of the 20th century. The shape is termed onion neck for obvious reasons and derives from Delft forms made in Holland in the 17th century. The bright overglaze enamel colors are typical of export wares of the era and the subject matter of boys with balloons containing characters meaning "prosperity" and "good luck".

Japanese female mask in the style of a Noh mask. This face may have been considered beautyiful many years back, but now it carries a heavy-duty insult to any ladies if they were to be called Otafuku-chan or Okame-san in Japanese. Otafuku-kaze is the mumps and there are popular snack beans called Otafuku-mame, shaped exactly like this face.

Otafuku simply means “much happiness”. Also known as Okame or Uzume, this face has been the symbol of good wishes for health and happiness...

This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony between families. A fukusa with the crest decoration is very practical because it can be used for the different occasions. Beautiful old tapestry weave (hand woven). The dimensions: 25 1/2" x 27"

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long...

The fabric is thick, silver brocade that appears to be taken from a Japanese woman's old obi from late Edo period. The liner is cotton. During the Edo period (1602-1868), there was a custom that the family of a deceased woman would donate her favorite kimono to the temple; some beautiful temple cloths were created from those wonderful fabrics. The custom was likely to have continued after the period...

Antique Japanese samurai doll, a flag-bearer sitting on a chair, 15 inches tall to the top of his head. This is a popular retainer doll paired with a general doll for the Japanese Boy’s Day. All the retainer dolls are usually not handsome; some look quite funny contrary to the handsome general dolls. You can even see a size difference for some in the set; there will be a big handsome general doll and a small retainer doll with a funny face to enhance the difference...

Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

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The Tachi bina is an older form of Japanese Hina dolls from the early Edo period(1603-1827). The earlier Tachi bina were not made to stand up, instead they were made to lay down or lean on the display. The faces of this set appear to be old with a beautiful sparkle on white gofun crashed/ground oyster shell, Kyoho-bina from mid Edo period. The silk brocade has washi paper backing (with washi hand made Japanese paper). The hair of empress doll is original but very brittle and almost all det...

Japanese antique folk hina dolls, zuishin, the imperial guardsmen and escorts from the Heian period (794-1185). They are often called Daijin minister dolls. The dolls used to belong to the Hina festival (Matsuri) for Girl’s Day. The size of the dolls are 10" tall to the tips of the arrows.

Japanese Imari charger finely enameled with panels of two phoenixes on stylized floral scrolling grounds - all in green, red, blue and purple enamel with gilding. The reverse side is decorated in underglaze blue with karakusa scroll pattern and with fork shaped factory mark. The phoenix (Ho-o in Japanese) is a mythological bird known to appear in time of peace and prosperity. It symbolizes immortality, resurrection and life after death. Dimensions: 16" (40.5cm) in diameter, 2 3/4" (7.2cm)...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai. It ...

This is an old Japanese silk purse, or a tissue holder in a wallet style with a silver clasp. It is truly a beautiful piece. The detail photos show the intricate weaving pattern, Sagara embroidery (Peking, French knot) and deep color of genuine gold. The light reflects on the silk in such a beautiful way. They bounce between the delicate indentions that were created from the weaving pattern. Antique silk and gold looks best in dim light, but the luster and glow that accompanies them ende...

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori. With tsuzure-ori, the weaver weaves over the drawing with their finger nails that ar...

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like. It is in excellent condition except two chains are missing from one - not notice...

Japanese antique Zuishin dolls (Ningyo). This set of dolls are often called Daijin minister dolls but they are actually the imperial guardsmen and escorts for the Heian court (794-1185). A beautiful quality set in the perfect size to decorate Hina Goten (Imperial Palace). Meiji Period (1868-1912). Approx. 5” tall, 4 ½” in width.

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5". The...

Please see Trocadero#38274 for details.

Japanese antique hina dolls (ningyo), the muscician dolls from the late Edo period (1603-1868). All five dolls have dimples on their cheeks; one doll in the center is carrying an inro (medicine case) and another has a pouch on her back of the belt area -- shown in the last photo.

Dimensions: Three dolls are 8 3/4 to 9 inches high, two dolls on 1/ 5/8 inches stool (new) are 10 inches high x 12 inches width x 9 1/2 inches deep; they can be as tall as 15 1/2 inches high depending on what...

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior. The Empress, after losing her hair, was...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...

Antique Chinese fan with two lovely women hand painted on feathers. The body of the fan appear to be made of bone. The colors of the peacock feathers are beautiful.The light reflected in gold (frame), took away the age. All and all, It has more antique look than shown in the photos. We just had the nails (that hold the glass to the wooded frame) checked, and hanging wire and brackets changed. 30 1/4" W x 18 1/4" H x 2 1/4"D

Antique musician dolls for the Japanese Hina Matsuri Festival (Girl’s Day) which is held every March third. Displayed with the ladies-in-waiting, ministers and servants dolls, they are the entertainers of the Imperial Court.

The dolls are from early 1900s, the late Meiji period to early Showa period. The body is made out of straw, old glass eyes and their faces (wood or wood powder) are covered with layers of gofun (white surface coating made out of ground oyster shell and animal glue)...

A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period. The colorful and exotic fabric originated in India (spread to Java, other parts o...

Japanese Takeda Samurai doll from late Edo to early Meiji, 1800s. Takeda dolls were made to model Kabuki actors and puppet dolls from the late Edo period (1603-1868). The doll is possibly Benkei, a faithful retainer to Yoshitsune (Minamoto).

Many stories were written based on Benkei and Yoshitsune (Minamoto, Genji family). They first met on the bridge of Gojyo in Kyoto when Benkei challenged Yoshitsune. He had been challenging strangers to sword fights so that he could get their swo...

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

The Kanzashi hair accessory has been the main jewelry for Japanese women. This antique comb and hair pin set has a wonderful design of turtles in the bay area on one side and landscape on the other side. It is a classic design in gold makie on tortoiseshell with coral inlay. Hair Pin is 5 3/4" long, comb 3" long and 1" in width. Meiji period (1868-1912).

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

Antique Japanese fukusa (gift cover), Yuzen-zome (paste regist dye) on silk kabe-ori (coarse crepe silk), early 1900s.

For a man to be a well balanced nobleman, there were requirements to be filled. 'Kin Ki Sho Ga', the four accomplishments of gentlemen, were chosen at an early time in China, practicing Kin (koto, music instrument), ki (go, Chinese chess), sho (calligraphy) and ga (painting). Here on this fukusa, with some variation (tea - sencha? was added), are the Six Immortals of the...

A Chinese informal robe with mandarin collar, decorated using couched silver threads, with auspicious symbols of baskets with flowers, double eternal knots, scattered fruit and flowers and a central floral roundel above stylized waves and water, all on a dark blue silk ground (near black); lighter blue lining. Circa 1900 - 1920.

Japanese nobori banner, hand painted (dyed) with samurai Yoshinaka (Kiso no) and Tomoe Gozen, a woman warrior. Dimensions: 15 3/4" wide and 147 1/2" long. Hand woven soft cotton with hand spun yarn. Early 1900s. Excellent condition but please expect some minor stains because of the age. It may hang better without the side handles on the wall.

Yoshinaka is a member of the Minamoto family (Genji) from the late Heian period (794-1185). He was raised on the mountain of Shinano (N...

Fine old zuishin dolls from the Meiji period (1868-1912), approx. 8” (20.3cm) tall. Zuishin dolls are commonly called daijin (minister) dolls; the elder man on the right (facing) is called "left daijin" and the younger man, right daijin or ya (arrows) daijin. They were created as an addition to the emperor and empress Dairi-bina sometime in the mid 18th century by Kyoto doll makers. Armed with a sword, bow and arrows, they were the toneri (zuishin) from the Heian court (794-1185). Th...

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan. The design on this fukusa ...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s.

This mark (signature) is illustrated in "Hirado: Prince of Porcelains" ...

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience. The design is auspicious with cranes, chrysanthemums and sho-chiku-bai (pine, bamboo, plum blossoms), all delicately woven with floss (untwisted) silk yarn...

A set of old Japanese wooden combs with a cloth comb holder. These are hair styling combs used when most women had the hairdo of today’s geisha. Each comb had a different function which was basically to comb, style and clean the hair. The combs here are all hand cut and it appears that some were added later. All combs are cleaned.

The outside of the folder is covered with a fabric called sarasa. Sarasa is a Japanese term for the Indian Chintz which was first introduced to Japan in t...

The carps and nobori Japanese banners, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish to inspire their boys in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori was used in the battle field to identify the troops, some were to show the warriors where their taisho (general) was. The others were to ...

Exceptionally beautiful Japanese lacquer box with a small doll, mame (pea sized) Ichimatsu nigyo (doll) inside - she actually is 4 ½” tall. This must have been some girl's (or woman’s) treasure box years ago. It may have been a gift from her mother or grandmother. The lacquer box is decorated with auspicious designs; a long tailed turtle emerging from a stream, pine, bamboo and rocks on the bank with a crane flying above. The combination of pines, bamboos and plums (painted in inside) ...

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori. He was joined by Chikamatsu Monzaemon, the genius playwright who was often called "the Shakespeare of Japan."

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