Catalog: Antiques: Regional Art: Asian (241)

Unique antique Japanese doll set of warrior dolls (musha ningyo) for the Japanese Boy's Day. 17 3/4 inches tall empress Jingo with her faithful minister, Takenouchi no Sukune, 12 inches tall holding prince Ojin (Oh-jin), the future 15th Japanese emperor who later became known as "The God of War".

Boy's Day in Japan was traditionally held among Samurai and aristocrat families in the Edo period...

These are very unique Japanese zuishin dolls from the late Edo period (1603-1868). The dolls are commonly called Daijin minister dolls but they are actually figures of the Toneri, the imperial guardsmen and escorts from the Heian period (794-1185). The clothing of the dolls is rich and elaborate just like Kabuki actors on stage...

Japanese antique folk hina dolls, zuishin, the imperial guardsmen and escorts from the Heian period (794-1185). They are often called Daijin minister dolls. The dolls used to belong to the Hina festival (Matsuri) for Girl’s Day. The size of the dolls are 10" tall to the tips of the arrows.

Antique Japanese folk hina dolls, ladies in waiting from the Heian Imperial Court (794-1185). The dolls are part of the Hina Matsuri Festival for girls in Japan. The approx. height of the tall dolls are 8 1/4" tall, the seated doll is 4 1/2". Made in Osaka, Japan (by NAKAGAWA Kiyojiro)

Antique Japanese folk hina dolls, three servants (Shitei,Shicho) from the Heian Imperial Court (794-1185). The dolls are part of the Hina Matsuri festival for girls in Japan. The standing doll is 8 3/4" tall, and the other two dolls are 7 1/4" to 7 1/2" tall.

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery...