Catalog: Antiques: Regional Art (247)

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

Please see Trocadero#38274 for details.

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like...

A set of Japanese bira-bira kanzashi (hair ornament) with silver and gold plated peonies, foliage, coral beads and dangling chains. Meiji period. This set has been recently cleaned by a jeweler. Kanzashi 8 1/4" long, chains 4" long.

Antique Japanese hairpin, Bira Kanzashi with coral, flowers in a basket, 6 1/4" long.

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk...

This is a wonderful set of Japanese bridal kanzashi (hair ornaments) from the Meiji to Taisho period, late 1800s to early 1900s, made out of tortoise shells. We assume that this kanzashi was decorated with the auspicious emblem, a phoenix bird in paulownia tree, with some elements (leaves, flowers and birds) altered to the family of the bride. It has an aura of nobility and power. The family crest on the box is three ivy leaves...

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

This Chinese vase comes from Canton from the end of the 19th century or perhaps the first few years of the 20th century. The shape is termed onion neck for obvious reasons and derives from Delft forms made in Holland in the 17th century. The bright overglaze enamel colors are typical of export wares of the era and the subject matter of boys with balloons containing characters meaning "prosperity" and "good luck".

A pair of Chinese candlesticks of European form decorated with sprays of flowers on a green cloud scroll background, gilt copper mounts. The bases are marked "CHINA". The dimensions are 11 3/4" tall and 4 1/4" in diameter at the base. Circa 1900 - 1920.

A section of old Chinese cloth taken from the shoulder section of a seventh rank official's formal court dragon robe, silk backing (some damages on line). Please ask. 18-19th century. 27" x 29 1/2"

A decorative fragment taken from the cuffs (horse-hoof shape) of a summer silk dragon robe with five clawed front facing dragons (couched pure silver wrapped threads) on a fish net like gauze weave. Each dragons appears to be wearing headdress. The cuffs from each sleeve are sewn together in the center and the borders are silver brocades. Circa, first half of 19th century. Approx. 19" x 15 1/4"

Antique Chinese fan with two lovely women hand painted on feathers. The body of the fan appear to be made of bone. The colors of the peacock feathers are beautiful.The light reflected in gold (frame), took away the age. All and all, It has more antique look than shown in the photos. We just had the nails (that hold the glass to the wooded frame) checked, and hanging wire and brackets changed. 30 1/4" W x 18 1/4" H x 2 1/4"D

A beautiful Chinese silk rug (6' x 9'); the yellow field bearing a central medallion of a front-facing dragon with four side-facing dragons in each corner, all on a stylized linked flower head ground, the border with stylized lotus, peony and other flowers of good fortune.

This is an old hand woven carpet in great quality. The whitish areas shown in some photos are reflections of light on the silk. The five claws dragons are woven on a brown metal background (gilt copper)...

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head...

A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period...

Antique Japanese fukusa (gift cover), Yuzen-zome (paste regist dye) on silk kabe-ori (coarse crepe silk), early 1900s.

For a man to be a well balanced nobleman, there were requirements to be filled. 'Kin Ki Sho Ga', the four accomplishments of gentlemen, were chosen at an early time in China, practicing Kin (koto, music instrument), ki (go, Chinese chess), sho (calligraphy) and ga (painting)...

The theme on this fukusa (Japanese gift cover) is “Kin ki Sho ga”, four accomplishments of noblemen. For a man to be well balanced and eventually become a good leader, practicing (and become good at) of “Kin ki Sho ga” was encouraged during their leisure time; ‘Kin’ (Jp. Koto, string music instrument), ‘ki’ (jp. ‘Go’, Chinese chess), ‘sho’ (calligraphy) and ‘ga’ (painting). This started in China and was brought back to Japan by traveling monks studying Buddhism...

Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

Fukusa, Japanese Gift Cover, Pine, Bamboo and Plums on Fans: This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is held prior to a wedding. This is an elegant old satin silk Fukusa in excellent condition...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...

Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship. The custom of eating and drink...

Large antique furoshiki (Japanese wrapping cloth), aizome Japanese indigo dye decorated in sashiko stitches on four corners. 57 1/4" x 61 1/4"

A set of old hanging ornaments for Buddhist temples or private settings. Decorated with gold leaves (genuine) over the lacquered wood and paper (small ornaments). The color of gold is soft, one or two strings are missing. The last photo shown here is Azabu Dai-Kannon in Chokoku-ji, Tokyo. Approx. length 15 inches long, Meiji period (1868-1912).

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

These dolls are a part of the Hina doll set displayed for the Japanese Girls Day, Hina Matsuri (Festival) in March. The day is also called Peach Festival. When the peach blossoms open in February to March by breaking through the snow, it is an announcement of the beginning of spring in Japan. The blossoms are very much associated with women’s strength and for this reason, along with their beauty, daintiness and softness, these are all desirable characters for women.

These three Kanjyo ...

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece.

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

Old Japanese doll resembling the Kuge (aristocrat) from the Heian period (794-1185), 16 inches tall. This doll was probably one of the zuishin (imperial guard) dolls for the Hina Festival (Girl’s Day in Japan). His long face mostly resembles the Kyoho-bina which is the imperial pair dolls from the mid Edo period (1603-1868). Considering the quality, size and time (late Edo), this doll must have been made for someone special.

The costume of hina dolls were all copied from the ...

Unique Japanese antique clay doll, Mingei folk art of Japan, Emperor and Empress hina dolls (Dairi bina). Clay dolls were made all over Japan by the late Edo period (1603-1868) by off-season farmers which would often involve the entire family for extra income. These dolls were for the regular people (over 90 percent of the population were farmers then) who could not afford pretty hina dolls made out of cloth. While the early clay dolls in the Edo period still carried religious mean...

Hand stitched Japanese short jacket, 36" wide x 33" long.

Interesting looking Japanese theater doll, dressed as a Chinese warrior, Kan-U (Guan Yu, Chinese), a Chinese legendary figure from the Three Kingdoms era. The story of the turbulent warring period in Chinese was written by Luo Guazhong in 14th century in his famous novel "Romance of the Three Kingdoms". It became popular among the neighboring countries. In Japan, it was played in puppet doll theaters (Joruri) and Kabuki theaters in late 17th century Edo period. I believe the book was first fu...

Scruffy looking old Japanese warrior doll (musha ningyo). This doll is not so tall (11 1/2" tall) but heavily padded, solid and quite heavy. When we acquired this doll, his hair was already replaced once and most of it was; one side is painted in black. Old glass eyes. The checker design (ichimatsu design) on his clothes is very similar to "Enshu-donsu", one of the famous fabrics used for tea ceremonies in the Edo period. 11 1/2" high x 11" wide x 12" deep. Circa Meiji (1868-1912). ...