Catalog: Antiques: Regional Art: Asian: Japanese (227)

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

A Japanese silver two pronged kanzashi (hair pin) with a cut rock crystal in center within a filigree gilt chrysanthemum, partially gilt body; original wooden box (tomobako) and a label that is written "Gold-silverwork", the retailer's name Kinji Shibuya, Akita city and their two digit phone number. Meiji/Taisho period.

Kanzashi: 6 3/4" long
Box: 9" x 2" x 1"

A Japanese tobacco pouch, ojime and pipe case (kiseruzutsu) - a leather pouch with an impressed name/hallmark of a famous sake on the inside of the flap with a gilt bronze clasp of a Chinese man and go (Japanese chess, originally Chinese) table. The ojime is a Bizen type pottery bead modeled as a two headed karako (Chinese boy), lucky god Ebisu or Daikoku. The kiseruzutsu (pipe case) has a hand chiseled textured design on the exterior of an unknown material...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits...

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau...

A set of Japanese bira-bira kanzashi (hair ornament) with silver and gold plated peonies, foliage, coral beads and dangling chains. Meiji period. This set has been recently cleaned by a jeweler. Kanzashi 8 1/4" long, chains 4" long.

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years...

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926). This maiwai is old but has been well maintained, pretty clean condition without any odor...

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

During the Edo period, the women of the Samurai class carried a pouch in their chest area (right above the obi belt) when they were dressed up in formal kimonos. The pouch was folded into a skinnier shape and accented with a nice tie. Carried inside were the beni ita (today's lipstick), a mirror, tissues, kanzashi, coins, etc. The chains were added to the kanzashi (hair ornament) sometime later. The shape of the pouches became similar to a box and some were made fancier by adding embroide...

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori. He was joined by Chikamatsu Monzaemon, the genius playwright who was often called "the Shakespeare of Japan."

...

Beautiful old Japanese woven silk uchikake gown in new condition. The size of this gown is small (much shorter) and light in weight. We are not sure how gowns in this style were worn but our humble guess would be that they were either made into jackets for upper class women (style is similar to kosode from late Edo period), Noh custumes or wedding gowns (though the sleeves are short). Subtle but beautiful, will make a great wall decoration. Dimensions: 47 1/2"(120.7cm)W x 61"(154.9cm)L, sle...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground. It has butterfly family crests (mon) in the center of a scrolling leaf and flower border, the interior in red lacquer.

The butterfly design was a favorite among the aristocrats and was seen in their belongings, ox-carts and attire during the Heian period (794-1192). They were also seen in armor of the Heike (Taira family) before power was shifted to the Genji (Minamoto family) samurai. It ...

A pair of Japanese lacquered iron abumi (stirrups) decorated in gold lacquer on a roiro ground with Ni-o, also known as Kongo Rikishi with delicate scrolling background, the interior in red lacquer. Edo period (probably 17th century). 11 1/8" high, 4 3/4" wide, 12" long.

Japanese antique gift cover, fukusa, with the design of the Seven Gods of Good Fortune (Shichi Fuku Jin), tsuzure-ri tapestry weave with wide borders (1 3/4"). The liner is made of chirimen crepe silk, Meiji period (1868-1912), 26 1/4" W x 29 1/2"L

This is a beautiful fukusa even with obvious stains. It shows the quality and professional workmanship everywhere. This fukusa is woven in tsuzure-ori. With tsuzure-ori, the weaver weaves over the drawing with their finger nails that ar...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

Large silver geisha kanzashi (hair pin) with a family crest of three Kikyo (bellflower) blossoms within the kikko (tortoiseshell) hexagonal frame. Unique kanzashi for an elaborate hairdo. This kanzashi looks better than the photos shown. 9" long, late Meiji/Taisho period.

*The hexagon motif is a typical example of a pattern that was first popular among the courtly associates as a decoration on clothing, furnishings, carriages, and the like, and was later adopted as a formal her...

Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here.

In this vase, the impressed silver foil ground acc...

Japanese twin pronged kanzashi with an agate ball. Late Meiji/Taisho period. Kanzashi is 6" long and the diameter of the ball is 3/4".

In the old days of Japan, agate was treasured as one of the sacred treasures. The Seven Sacred Treasures of Japan (Shippo), which originally came from the Buddhist surta, are gold, silver, ruri (lapis lazuli - blue stone with purple tint), shako (sea shell), agate, pearl, and maie (sea shell). Some are replaced with coral or crystals (old glass) depe...

An elaborate Japanese coral, silver, and gilt kanzashi (hair pin) formed as a peony spray with butterly shaped pendants hanging from silver chains. The body is made out of stronger mixed metal, Meiji/Taisho period. Kanzashi 8" long, chains 3 1/4" long.

Old rodan and gotoku for Japanese tea room, heavy item made with beautiful craftmanship from the Meiji period (1868-1912). The rodan is placed in the cut out hole of the tea room. Inside the rodan, the gotoku stand is placed (shown upside down in our photos) in ash for kama or kettle.

The dimensions of copper rodan: 16"w x 16"w at the top (the rim is 2.5" wide) and 10" in heigth. The bottom is 11 1/2" x 11 1/2". Old iron stand, gotoku is , 9 3/4" across and 6 inches tall.

Beautiful Japanese tama (ball) kanzashi with a pink agate ball above a twin pronged gilt mixed metal pin in the original box with a seal. Taisho period. Length 6 3/4"

A Japanese silver kanzashi (hair pin) with pierced and engraved circular design of peacock, original box with printed seals, Taisho period. Length 6 9/16", 1 1/12" in diameter.

Two characters on this Japanese banner are Yoshitsune (Minamoto family) and Noritsune (Taira family). It was towards end of the Genpei War (1180-1185), Yoshitsune (Minamoto family) flying high on the top escaping the attack of Noritsune (Taira family). Yoshitsune was said to hopped eight boats at this scene. With the victory of the Minamoto clan here in Dan-no-ura concluded the decades old fuel between the two clans; almost all the members of the Taira family, including six years old Emperor ...

This is an old Japanese silk purse, or a tissue holder in a wallet style with a silver clasp. It is truly a beautiful piece. The detail photos show the intricate weaving pattern, Sagara embroidery (Peking, French knot) and deep color of genuine gold. The light reflects on the silk in such a beautiful way. They bounce between the delicate indentions that were created from the weaving pattern. Antique silk and gold looks best in dim light, but the luster and glow that accompanies them ende...

Nobori banners, samurai Yoroi and Kabuto helmets, carps, musha ningyo (warrior doll) were all a part of the display used for Boy's Day (renamed to Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

This is an old Japanese nobori banner with Hideyoshi (Toyotomi), retainers, and a streamer in the background. A golden gourd (yellow dye) with small gourds underneath i...

A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period. The colorful and exotic fabric originated in India (spread to Java, other parts o...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

Toyotomi Hideyoshi has been one of the popular characters for Boy’s Day. He was born in a peasant family and worked his way all the way up to top commander of Japan. His wa...

A Japanese tissue or cloth holder for a tea ceremony, finely woven with a diamond design, the interior lined in leather, all held together with an ivory clasp carved as a lion's head (shishi) mask, Taisho period.