Catalog: Antiques: Regional Art (247)

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

An elaborate Japanese coral, silver, and gilt kanzashi (hair pin) formed as a peony spray with butterfly shaped pendants hanging from silver chains. The body is made out of stronger mixed metal, Meiji/Taisho period. Kanzashi 8" long, chains 3 1/4" long.

An elaborate Japanese coral, silver, and gilt kanzashi (hair pin) formed as a peony spray with butterly shaped pendants hanging from silver chains. The body is made out of stronger mixed metal, Meiji/Taisho period. Kanzashi 8" long, chains 3 1/4" long.

Antique Japanese folk hina dolls, ladies in waiting from the Heian Imperial Court (794-1185). The dolls are part of the Hina Matsuri Festival for girls in Japan. The approx. height of the tall dolls are 8 1/4" tall, the seated doll is 4 1/2". Made in Osaka, Japan (by NAKAGAWA Kiyojiro)

When you tap this Mokugyo (wooden fish) with your hand, it has a deep, hollow sound. It sounds really good. Approx. 9 ½” long x 9 3/4” wide x 8” high (24.5cm long x 25cm wide x 20cm high)

Japanese silk obi, Nagoya style, dyed with the design of Chinese Empress and court attendants in the bamboo grove. It appears that this was converted to current Nagoya style obi (from kimono?). The design of this obi is unique. The wide and narrow area of this obi has different designs on both sides and all seams appear clean. By taking one side of the seam apart, you have a large fabric to work with (double in size with one seam in the center)...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

Japanese Kesa, Buddhist priests' robe, "ro" summer silk. 44 1/2" x 77", the color changed evenly to a tannned tone. There are some stains in the front and back, and the handle and the folding lines in the back are soiled.

Very attractive Japanese Yogi (bed comforter) with a pattern of chrysanthemums and scrolling vine, rice paste resist Katazome stencil dye. The cotton is not as thick as the other yogi. Excellent condition, It is an another "tsukurioki" (it had not been used after it was made - t just sit in the storage as a spare bedding for guests. One of the photo shows where the cotton wadding was taken out before the shipment. The seam at the center of the liner was opened...

Antique Japanese yogi, thickly woven cotton, trimmed and lined with dark aizome (Japanese blue dye). There is a opening in the center of the liner where the cotton wadding was taken out. Excellent condition (old but new). The accent piece (dyed in Katazome, stencil dye) on the collar and shoulder area were added (remove and wash purpose) and slightly soiled. Late Meiji to early Showa. Dimensions: 63" x 68" L

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Large Lidded Imari Bowl and cover decorated in underglazed blue with a scrolling design of leafy camellia, Meiji period. Dimensions: 9 3/4" X 5 1/2".

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years...

A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony between families. A fukusa with the crest decoration is very practical because it can be used for the different occasions. Beautiful old tapestry weave (hand woven). The dimensions: 25 1/2" x 27"

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

Large Japanese temple cloth woven with cotton and strips of paper, great for a wall decoration. The dimensions are 107" x 47" (271.8cm x 119.4cm). Many things in Japan were made from paper, just like soy sauce was added in almost all cooking. Textiles were no exception. Some monks in Japan still make their own paper for their clothes. There are few beautiful samurai haori jackets made out of paper that still exist today in textile museums (which we have only seen in photos)...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos...

The nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish (at the time that they were made) to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was...

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings...

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

A superb quality set of court musician dolls for Japanese Girl’s Day, Hina Matsuri.
The Hina festival takes place every March 3rd in Japan and it is a day of celebration for the well-being of every girl in the family. In earlier days, people were more susceptible to natural disasters or diseases, so in order to keep evil spirits away, this day was spent giving offerings to God. This custom was adopted from the 7th century Chinese ceremony that originally took place on the beach...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field...

Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Japanese silver pipe with brown bamboo body, the mouthpiece with design of engraved bamboo. Length: 7 1/2" Circa 1900, Meiji period.

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx. dimensions: 6 3/4" x 6" x 3 1/2...

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head. (...

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

Noh Mask (noh-men), Hanakobu Akujyo (Akujou), bumpy nosed fierce old man. Besides the distinctive nose, he has a deep V-shaped crease between his eyebrows and the veins on his temples to his forehead, piercing bulging eyes, teeth painted in gold, with a tan colored horsehair beard and mustache. Not an ordinary face of an old man, he appears to possess something supernatural. This men(mask) is very lightweight. Written on the reverse side is "Hana kobu Aku jyo" in gold. His mask is large for ...

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions. The s...