Catalog (414)

There have been decorative textiles sewn into squares or rectangular shapes since the Edo period in Japan. The small squares are made for tea ceremonies; the medium to larger sized ones (called fukusa) are used to cover seasonal and ceremonial gifts. This old Chinese panel was acquired in Japan mixing into our fukusa collection.

A dragon and phoenix together symbolize the emperor and empress in China. The phoenix that is graciously presenting a peony, the sovereign of the flowers is embroi...

A pair of Japanese lacquered iron abumi (stirrups) decorated in gold lacquer on a roiro ground with Ni-o, also known as Kongo Rikishi with delicate scrolling background, the interior in red lacquer. Edo period (probably 17th century). 11 1/8" high, 4 3/4" wide, 12" long.

A Chinese reticulated iron porcelain snuff bottle with a dragon and phoenix among clouds beneath key fret and ryui border, neck with a silver rim, jade stopper. The red color is the same as used when decorating porcelain, though in this case it is applied as a solid color. The desired effect is to imitate red cinnabar lacquer. Circa, probably from the Jiaqing period (1796 - 1820). Height 3".

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever. The technique of marble dye existed in...

Old Chinese ivory figure of Guanyin, the Goddess of Mercy, in a refined and elegant pose. The body is made out of one piece elephant ivory and finish in a term "cold painted ivory" meaning that the color is applied without any firing to fix and harden it. This method of coloring ivory dates back to the Ming times and was particularly popular in the 18th century. This is probably 19th century piece. Her wonderfully tranquil face and the excellent painting make this a desirable piece.

This is an old Japanese towel rack, sometimes called a children’s kimono stand. The metal work is in traditional style and the mounts have been used on many different kinds of lacquer pieces throughout the Edo period. The chrysanthemum mons (family crests) on each end of the mount, were used by the Emperor, royal princes and others outside the Imperial family, in a variety of forms. Although the 16 petal mon was designated for use by the Imperial family, others were entitled to use it. Fo...

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long. Not wearable, please.

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A Japanese Samurai doll (ningyo) with the look of a Daimyo: feudal lord in the Edo period (1603-1868). The Kamishimo with long hakama trousers were only worn for special occasions in the Edo castle. The samurai's blue top kimono is made out of a wash paper (a liner to his original kimono). There is a beautiful patina on his face which is covered with a gofun mixture from the time. In the old time, doll makers used to let oyster shells sit outside for years before they could ground th...

Antique Japanese warrior dolls, musha ningyo displayed for the Japanese Boys Day. Clad in armor is a beautiful young widow, the Empress Jingo with her faithful retainer/high ranking minister, Takenouchi no Sukune. He is holding her baby Ojin (Oh-jin) who was later known as “The God of War”, the 15th Japanese emperor, Emperor Ojin. These are all original dolls including the baby.

Some old records indicate that in 300 AD, God came down to talk to Empress Jingo in her sleep. This was...

This is a superior Takeda ningyo (doll), an old Japanese theater doll which was most likely modeled after the character, Teiseiko from “Kokusenya-ya-Gassen.” It was a popular theater play in 18th to 19th century Japan. The setting of the play is during mid 17th century China towards the end of the Ming Dynasty. Teiseiko (also known as Watonai) was fighting the battle for the old dynasty. The play is based on a true story of "Teiseiko" who was born from a Chinese sea merchant and a Japanese...

Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

Unique antique Japanese doll set of warrior dolls (musha ningyo) for the Japanese Boy's Day. 17 3/4 inches tall empress Jingo with her faithful minister, Takenouchi no Sukune, 12 inches tall holding prince Ojin (Oh-jin), the future 15th Japanese emperor who later became known as "The God of War".

Boy's Day in Japan was traditionally held among Samurai and aristocrat families in the Edo period. Samurai's armor along with their helmets were displayed and the nobori banners and spears ...

Old Japanese doll resembling the Kuge (aristocrat) from the Heian period (794-1185), 16 inches tall. This doll was probably one of the zuishin (imperial guard) dolls for the Hina Festival (Girl’s Day in Japan). His long face mostly resembles the Kyoho-bina which is the imperial pair dolls from the mid Edo period (1603-1868). Considering the quality, size and time (late Edo), this doll must have been made for someone special.

The costume of hina dolls were all copied from the ...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

A woven square taken from the front of a Chinese Emperor's robe with a front facing dragon in couched gold and a constellation symbol. Yellow (or apricot yellow) robes could only be worn by the Emperor or Empress. The color has faded and changed to this current tan color. Each Emperor's robe had twelve symbols of Imperial Authority embroidered on it in specific places. We can see "The Constellation" which represents the handles of Ursa Major, the Big Dipper, just above the dragon's head. (...

A beautiful Chinese silk rug (6' x 9'); the yellow field bearing a central medallion of a front-facing dragon with four side-facing dragons in each corner, all on a stylized linked flower head ground, the border with stylized lotus, peony and other flowers of good fortune.

This is an old hand woven carpet in great quality. The whitish areas shown in some photos are reflections of light on the silk. The five claws dragons are woven on a brown metal background (gilt copper). The gilt is alm...

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"