Catalog: Antiques: Regional Art: Asian: Japanese (227)

Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).

A Japanese pipe case (kizeruzutsu) decorated on a deep red lacquer and lacquered *agiro ground with Chinese bell flowers (kikyo) on one side and a waterlily on the other side. It is attached to a stylish leather pouch with a clasp of mixed metal beans. Some damages on lacquer. Late Edo/Meiji period. *Ajiro is a woven wickerwork made out of strips of bamboo skin, cypress bark or Japanese reed.

A Japanese silver two pronged kanzashi (hair pin) with a cut rock crystal in center within a filigree gilt chrysanthemum, partially gilt body; original wooden box (tomobako) and a label that is written "Gold-silverwork", the retailer's name Kinji Shibuya, Akita city and their two digit phone number. Meiji/Taisho period.

Kanzashi: 6 3/4" long
Box: 9" x 2" x 1"

A Japanese tobacco pouch, ojime and pipe case (kiseruzutsu) - a leather pouch with an impressed name/hallmark of a famous sake on the inside of the flap with a gilt bronze clasp of a Chinese man and go (Japanese chess, originally Chinese) table. The ojime is a Bizen type pottery bead modeled as a two headed karako (Chinese boy), lucky god Ebisu or Daikoku. The kiseruzutsu (pipe case) has a hand chiseled textured design on the exterior of an unknown material...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits...

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau...

A set of Japanese bira-bira kanzashi (hair ornament) with silver and gold plated peonies, foliage, coral beads and dangling chains. Meiji period. This set has been recently cleaned by a jeweler. Kanzashi 8 1/4" long, chains 4" long.

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years...

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926). This maiwai is old but has been well maintained, pretty clean condition without any odor...

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

During the Edo period, the women of the Samurai class carried a pouch in their chest area (right above the obi belt) when they were dressed up in formal kimonos. The pouch was folded into a skinnier shape and accented with a nice tie. Carried inside were the beni ita (today's lipstick), a mirror, tissues, kanzashi, coins, etc. The chains were added to the kanzashi (hair ornament) sometime later. The shape of the pouches became similar to a box and some were made fancier by adding embroide...

During the Edo Period, there was a time when puppet play became the most popular form of entertainment among the common people. At one time, they were so popular that Kabuki actors even began mimicking the movement of the puppets.

The era of Ningyo Joruri (puppet play later called Bunraku) began in 1684 when Takemoto Gidayu, a narrator, opened a theater in Dotonbori. He was joined by Chikamatsu Monzaemon, the genius playwright who was often called "the Shakespeare of Japan."

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