Asian Art By Kyoko
$420.00
$420.00
This Chinese vase comes from Canton from the end of the 19th century or perhaps the
first few years of the 20th century. The shape is termed onion neck for obvious
reasons and derives from Delft forms made in Holland in the 17th century.
The bright overglaze enamel colors are typical of export wares of the era
and the subject matter of boys with balloons containing characters
meaning "prosperity" and "good luck".
Asian Art By Kyoko
$480.00
$480.00
This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.
Asian Art By Kyoko
Price on Request
Price on Request
The shape of this oval Japanese Arita dish derives from European forms. The
combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"
Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients. These bowls fall into that category and were made for Hichozan, by the H...
Asian Art By Kyoko
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Price on Request
Wonderful old Japanese Imari boat, incense burner (koro) or a nice dish for ... sashimi with soy sauce and wasabi in one side, circa Meiji period (1868-1912).
8 1/4" long x 4 1/2" wide x 3 1/2" tall
Asian Art By Kyoko
$680.00
$680.00
Set of five handmade copper chataku (coaster for sencha tea cups) with recessed centers, each applied with gold and silver powders. Meiji period (1868-1912).
Asian Art By Kyoko
$350.00
$350.00
This is a very attractive large Chinese wood box with one large and three small shishi(lion-dog) on the porcelain. Old Chinese porcelain was used for this box. It has more of an antique look than in the pictures here. Actual measurements are 8 inches wide x 10 1/4 inches long and 6 inches high.
Asian Art By Kyoko
$180.00
$180.00
Interesting Chinese lunch box with an old porcelain in lid. This porcelain may have been a
part of an old vase once. Measurements: 7 1/8 inches x 4 3/8 inches x8 1/4 inches high. Mint condition.
Beautiful Japanese Satsuma mint dishes with Japanese price tags on the back. They are signed and in new condition, circa 1950 to 1960.
SIZE: 4 3/4 inches x 3 1/8 inches x 3/4 inches deep
SIZE: 4 3/4 inches x 3 1/8 inches x 3/4 inches deep
Asian Art By Kyoko
Price on Request
Price on Request
A stylish cloisonné beaker vase decorated with a yellow rose on a blue ground by Ando, a leading Japanese cloisonné maker since the beginning of Meiji period. Impressed Ando and 'jyun-gin' (pure silver) marks on the bottom rim, dated from 1950 to 1960. Original square black stand and pamphlet issued by Ando with some brief notes about the company and a photo of the famous enameled mirror discovered in Shoso-in. 11" tall (vase alone) and 7 1/2" in diameter at the opening. Absolutely no dam...
Japanese Kyoto-yaki plate, artistically hand painted pine trees by Kohyo Yamazaki (1890 - 1979), wall hanging. Dimension: 10" in diameter, 1 5/8" deep.
A heavy Japanese Banko plate with bamboo, made by a Japanese Banko ceramist, Yamada Touka. There are holes on the back which makes it good for decoration.
Asian Art By Kyoko
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Price on Request
A stylish cloisonné (shippo) beaker vase by Ando, 10” in height, circa 1950 – 1970. It has the original box with a pamphlet issued by the Ando Cloisonne Company, the leading cloisonné company in Japan. The note briefly introduces the company, how their cloisonné are made (with photos) and a photo of the very famous enameled mirror discovered in *Shoso-in.
*The Shoso-in was originally the storehouse of the Todaiji temple. It has 9000 rare articles well preserved from the 8th t...
A hexagonal Chinese covered dish, decorated in overglaze
enamels win the Famille Jaune pallette. The motifs seen in the shaped collar
(in the form of a ryui fungus) around the lid are Buddhist precious objects.
the flowers are those usually found on such porcelains and include hawthorn
(prunus), lotus, orchid, peony, chrysanthemum, etc. The mask handles on the
sides would originally have had wire carriers fitted. This piece dates from
the 19th century
Dimensions: 11 1/4" width (tip t...
Asian Art By Kyoko
Price on Request
Price on Request
Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.
Asian Art By Kyoko
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Old Japanese Arita vase painted with peonies, plums and chrysanthemum flowers with leaves, tree and rocks in under-glazed blue. Mint condition, circa Meiji period (1868-1912). 9 1/4" in diameter x 12 1/4"H
Asian Art By Kyoko
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Price on Request
This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"
Asian Art By Kyoko
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Price on Request
Japanese Imari charger finely enameled with panels of two phoenixes on stylized floral scrolling grounds - all in green, red, blue and purple enamel with gilding. The reverse side is decorated in underglaze blue with karakusa scroll pattern and with fork shaped factory mark. The phoenix (Ho-o in Japanese) is a mythological bird known to appear in time of peace and prosperity. It symbolizes immortality, resurrection and life after death. Dimensions: 16" (40.5cm) in diameter, 2 3/4" (7.2cm)...
Asian Art By Kyoko
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Price on Request
Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side).
Approx. dimensions: 6 3/4" x 6" x 3 1/2...
Asian Art By Kyoko
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Price on Request
There is no visible image of god in Japan's oldest religion, “Shinto”. People look for the image of gods in their daily surroundings and found the divine spirits to dwell in pine trees. For this reason, pine trees are considered sacred and many wonderful artworks of pine trees were created. Cranes are said to live one thousand years. They are considered auspicious as their distinctive high pitched voices can reach to the heaven. Pine trees and cranes symbolize longevity and a harmonious...
Asian Art By Kyoko
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Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep
Asian Art By Kyoko
Price on Request
Price on Request
Old Japanese Kutani dishes placed in the carved wood tray. Each dish is hand painted and signed at the bottom, "Gyokuzan". The diameter of the tray is 14 inches. Some gilt wear at the rim of some dishes.
This unique antique Japanese vase with four handles has a creamy grayish colored body with crackles and numerous pinholes. A couple of crackles are missing (shown in the photo) at the foot. It is 11 1/2 inches tall, circa early 1900s.
Asian Art By Kyoko
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Price on Request
This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.
Asian Art By Kyoko
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Price on Request
Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).
Asian Art By Kyoko
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Price on Request
A Japanese tissue or cloth holder for a tea ceremony,
finely woven with a diamond design, the interior lined
in leather, all held together with an ivory clasp carved as a
lion's head (shishi) mask, Taisho period.
Asian Art By Kyoko
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A fine embroidered purse, probably made to hold tissues at a tea ceremony. The exterior is embroidered with Sagara embroidery (Peking knot), and has a sarasa design of stylized butterflies, birds and flowers. The sarasa (Indian Chintz), first came to Japan through the Nanban trading in the late 16th century and was tremendously favored by the tea masters and some daimyo (regional lords) during the Edo period. The colorful and exotic fabric originated in India (spread to Java, other parts o...
Asian Art By Kyoko
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Price on Request
Beautiful Japanese ginbari cloisonne vase. At 9 1/2", this is an unusually large and desirable example among the same group. It probably dates from the Meiji period (1868-1912) when the art of Japanese cloisonné enamels reached its highest point. Technological improvements enabled artists to create wonderful examples, including one of the most desirable techniques called "ginbari" (silver foil foundation) shippo as you see it here.
In this vase, the impressed silver foil ground acc...
Asian Art By Kyoko
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Price on Request
Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"
Asian Art By Kyoko
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Price on Request
A set of 10 Hirado porcelain lidded bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The original wood box, tomobako, inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). One bowl is damaged - 9 sets plus a lid. Late Meiji/Taisho period.
This mark (signature) is illustrated in "Hir...
Asian Art By Kyoko
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Price on Request
A Japanese earthenware hot water pourer (yuzamashi), decorated with shaped panels depicting landscapes and flowers and roundels, all on a gilt red ground, the base marked Kutani, Shoza. Dimensions: 3/ 3/16" (8cm) x 4 1/8" (10.5cm) across(from tip to tip) x 1 7/8" (4.5 cm) high. Meiji period.
Asian Art By Kyoko
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Price on Request
Japanese Arita vase of ovoid shape decorated in underglaze blue with a continuous design of a small boat on a tranquil lake beside a large rocky outcrop, the base marked Arita kiln, with illegible artist's signature, Taisho period. Height 13"
Asian Art By Kyoko
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Price on Request
Large Lidded Imari Bowl and cover decorated in underglazed blue with a scrolling design of leafy camellia, Meiji period. Dimensions: 9 3/4" X 5 1/2".
Asian Art By Kyoko
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Price on Request
A set of 10 lidded Hirado Japanese porcelain bowls decorated in underglaze blue with mountain landscape on one half and prunus on the other. The interior has a central floral roundel and wave design on the rim. Each marked Hirado, Kasho. The tomobako (original box), inscribed "Hizen Hirado yaki", Kodai (ancient), Prunus, Sansui ga (oriental style painting of mountains and water). Late Meiji/Taisho period, early 1900s.
This mark (signature) is illustrated in "Hirado: Prince of Porcelains" ...
A Japanese Kutani plate with flat base and short rim, finely painted with a pair of sparrows on a red leafed maple branch, the reverse marked "Kutani". Late Meiji/Taisho period, early 1900s.
Dimensions: Approx. 12" (30.4cm) in diameter, 3/4" (2cm) deep.
Each plate has the design of a single chrysanthemum (kiku) shifted towards the left side of the plate … but they were carved in a way that each has a life of its own. None of them look the same. The design is sharply cut into thick layers of black urushi lacquer – tsuikoku. It is known to be a difficult job – this later lead to Kamakura bori(carving) which is a technique of lacquering on carved wood. The plates are very light. It indicates a high quality, matured wood inside. The edges ...