Catalog: Vintage Arts: Regional Art (166)

Cranes symbolize fidelity. They are known for not leaving their spouse’s side after their partner’s death. When pine needles fall, they fall as a pair and the color is evergreen. A pair of cranes under an old pine tree signifies the union of a couple. It is a perfect wedding fukusa (gift cover). The design is beautifully drawn here in Sumi-e black ink style on Shioze silk. Circa, Taisho to early Showa period, 1930-1940. Dimensions: 25 5/8" x 29"

It is a beautiful kimono in excellent condition. The black dye changed it's color to a current black which has a tint of brown. The silk is in a super good condition. The design is the favorite design of Kakiemon, the hoo bird and the leaves of the paulownia tree. The hoo bird has been associated with the Empress in Japan and her crest is an elegantly designed paulownia leaves.

Japanese clay doll, Kabuki doll with a dragon. 13"h x 9 1/2" at the widest.

This type of clay dolls are somehow all originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). When the hina dolls were still very limited to a few wealthy people in early 1900s, these clay dolls were for the regular people...

This is a Hina Goten (Palace) doll house for the Girl's day in Japan, also known as Hina-matsuri or Sekku. Traditionally it is the day to celebrate and honor the young girls in the family. I remember my days playing with our antique hina dolls. Unfortunately, ours were all destroyed over the years. I guess that our temptation was a little too strong to play around with these attractive removable attachments, including the swords...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

This is a samurai armor set (yoroi and helmet) for Boy’s Day in Japan. By displaying a set like this, the parents hope to inspire boys in their manliness, bravery, discipline and the honor codes that come with it.

Here on the lids, it is written the name of the owner and the occasion. It is to celebrate his first Sekku in the fourteenth year of Showa period (1939). On the reverse side of the lids, there are labels of Tanimoto Yousuke, the doll maker...

Japanese baby's first formal kimono (miyagi), hawk on a pine tree hand painted in sumi-e (black ink) on silk, 32 1/2" W x 41" L.

This type of kimono is used during a newborn's first visit to the shrine. The ritual takes place about one month after his birth. Traditionally, the kimono was sent by the mother's side of the family to their daughter's new family, bearing the family crest of the husband's side...

Japanese cloth taken from an old futon bed cover, decorated with an auspicious motif of pine, bamboo and plum blossoms. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent...

The finest servant dolls, Shitei (Shittei,Shicho,Shiccho) from Kyoto, Japan. They are the court servants from Heian Imperial Court and part of Hina dolls displayed for the Girls Day (Hina Matsuri Festival) in Japan. Some damages in the toes of one doll and clothing. The tallest doll is 8 inches tall.

A Japanese bronze vase with red splashed green patination with gold powders, the squat body with tall everted neck, signed on the base Shiho; signed tomobako. Taisho/early Showa period. Height: 7 1/2"

An elegant ceramic obidome (obi clasp) with silver mount (guaranteed) formed as a leaf, glazed in mottled tones of red and blue, with a hand woven silk cord dyed in the same colors; all contained in original box from Matsumasa, Kyoto. Taisho/early Showa period.

The actual colors are gentle; red in blue/purple tint with a soft blue color. What did not show in the photos are the exact matching colors of the ceramic leaf and silk cord...

A beautiful silver work with turquoise stones. The total of eleven large turquoise stones (oval cabochon cut) are mounted on the delicate silver filigree. Beautiful work. No damage to the stones; no cracks or chips. There is a “silver” mark on the silver clasp of the necklace.

The design is auspicious with the good luck charms such as a Chinese characters “shou” (coin-like small design) and bat...

This is an old man's silk Jyuban, an undergarment worn under a kimono, a luxury from the past. Strange, but you will find quite a work of art in the undergarment, much more than finding them on the outer kimonos. The carps are tie-dyed. Other than a faint stain right above the right side carp, it is in excellent condition. This stain wil not show up unless you look at it under the sun. The measurements are 52" in width and 53" in length. No lining.

This beautiful shibori (tie-dye) is already cut to make a haori jacket. The skinny pieces under the arms are cut and attached by someone who knows what he is doing. It has not gone through Yunoshi, the process to stretch shibori using steam. The size of this gown is extremely small at this moment because a regular haori (short jacket) roll is used to make into shibori fabric. 36 inches x 16 1/2 inches long with 9 inches hemming tacked inside...

A very elegant Japanese sand-cast iron tea kettle and brazier (furokama, fuuro-kama) of unusually small size (making water for one person)...

WEARABLE ART: This skirt is made out of an old Japanese man's obi belt, chrimen crepe silk with hand tie-dye "shibori". Freshly made out an obi from early 1900 to 1940. Medium size with elastic waist.

This is the most formal and elaborate style of obi called maru obi. The designs run through the entire obi from one end to the other on both sides. The dimensions: 12" wide x 12'5"(161") long. The cost of making one maru obi is substantially higher than a typical obi. The design here include chrysanthemums, wild flowering plants of autumn, fans and Genji wheel that implies the presence of graceful aristocrats from the Heian period(794-1185). The chrysanthemums by the water (old bridges here)...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. A pair of cranes on the rocks by an ocean may symbolize the couple's long journey together. This is a wonderful work of art, beatiful dye work is enhanced with embroideries that are so skillfully added. Taisho to early Showa, 1920 to 1940.