Catalog (216)

This standing Court lady is in extremely in good quality. She is probably from the Taisho Period (1912

The Hina dolls palace is for the Japanese Girl's Day, Hina Matsuri festival. The Hina doll set that I grew up with was displayed in the steps style, which is a common way of displaying 15 dolls with furniture. I have never seen this type of Hina Goten (Palace) until I found several of these recently. It tells us how different things used to be (and still is to some extent) according to regions. The hina dolls were modeled after the Imperial Court from the Heian period (794-1192). The cos...

This is a Hina Goten (Palace) doll house for the Girl's day in Japan, also known as Hina-matsuri or Sekku. Traditionally it is the day to celebrate and honor the young girls in the family. I remember my days playing with our antique hina dolls. Unfortunately, ours were all destroyed over the years. I guess that our temptation was a little too strong to play around with these attractive removable attachments, including the swords.

The Hina house was not a very common style in many areas...

The carps and nobori Japanese banners, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish to inspire their boys in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori was used in the battle field to identify the troops, some were to show the warriors where their taisho (general) was. The others were to ...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...

The beautiful green color did not show up well in the pictures. I think it is much prettier. Both sides of the sleeves are soiled at the bottom area (see Enlargement6). The picture is lightened to show the area of stains. Actual stains do not show up as much in the large picture blending in with designs in the darker green (see Enlargement 1).
Dimensions are:

This gown had been used as a rental. The condition is not new like most of my other gowns are. Some large stains are shown in the lower collar area (see Enlargement 9) and several small stains in the other areas - shown in the other enlargements. It is a whitish creamy color. Dimensions are: 51"w x 71"h with 41" sleeve length
Great decorating material.

Japanese Boy's Day display set with a helmet (Kabuto) and a screen. The lacquer screen is very shiny like a mirror. See Photo #10.

The dimensions of screen is 21 1/4"H x 50 3/4"W (extended). Screen box: 23" x 25 3/4" x 1/2"H Helmet Box: 15" x 13 1/4" x 10"H

Japanese one-piece tree trunk heavy wood stand, almost big enough to display a life size statue. 23" x 23" x 23" in triangle, 2 1/2" to 3" thick. It will be great to show off armors, flower arrangements, bonsai or your treasures (tall?).

Quality, Japanese lacquered wood kimono hanger. The hanger comes in the box with the old tissue paper inside. The writings on the box and the tissues (old with lots of storage stains - appeared new in the photos) indicate that it was "Made by Wajima", pre WWII. Wajima lacquer has been know for the best for it's superior quality. Very light (kiri wood inside?). Taisho to early Showa, 1920 to 1940. The condition is new (stayed in the box without being used). 25" long, 5/8" in diameter. ...

Japanese folk art, farmer's clay doll: 11 1/2"h x 5 3/4"w

All the clay dolls are somehow originated from the Fushimi clay doll of the Kyoto area. Fushimi dolls were originally sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi Inari Shrine in the early Edo period (1600-1868). By the end of 19th century, these dolls were made all over Japan. 90 percent of the Edo population were farmers who could not afford nor were allowed to have hina dolls dressed ...

Old Japanese teppo (pistol) style candle holders which appear to be made from old pieces. Each piece is 21 inches long and quite heavy. These will probably work well along the wall of a country style room.

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength. Combined with a gold bag and mallet of Dai-koku symbolizing wealth, there is no...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. A pair of cranes on the rocks by an ocean may symbolize the couple's long journey together. This is a wonderful work of art, beatiful dye work is enhanced with embroideries that are so skillfully added. Taisho to early Showa, 1920 to 1940.

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings. Threatened by their increasing power, the Tokugawa governme...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

Japanese Wedding Gown with embroideries, some stains. There is no trace of being worn on this Uchikake wedding gown. The outer fabric is white (creamy, light tan) silk and the liner is also high quality silk which makes it very light in weight. There are some color migrations from the embroidery yarns. You can look at it as a bokashi (gradual shading), with the color change right around the embroideries. The one on the left shoulder is visible and the coloring spreads to the front shoulder...

These kasuri kimono are very durable, and made to be worn as casual work clothes. I hope you can see the tiny round patches used to strengthen the areas where the sleeves meet the body. There are no company or designer's labels on these kimonos, but the quality of the workmanship are superior. The fabric is still very starchy and stiff. It will take some washings before it becomes soft. The more washing it goes through, the more the fabric will become softer and show the true colors of a be...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

Antique Japanese doll, a head of a samurai festival ningyo(doll), rare find; dashi (festival float) ningyo or Kiku festival doll. The measurement of this featured head (used for Dashi float or kiku ningyo festival) is approx. 15 inches (38 cm) long from the top to the bottom (stick included), life slightly larger than life size and light in weight, inside wood is carved out. Most of the weight is within the bottom pole. The painted eyes are looking down, indicating the higher position of t...

Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior. The Empress, after losing her hair, was...

Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown. With the detailed phot...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns. ...

This is a vibrant and beautiful Japanese uchikake (wedding gown) design by Yumi Katsura, a top bridal ware designer from Japan. Her name and ‘Japon’ are woven on a large black square located on the lower part of the center edge. After graduating from college, Yumi Katsura studied in France and in 1964, she opened the first bridal ware rental shop in Japan. She designs ready-wear and haute couture bridal gowns both in western and kimono style and currently has her shop in Paris along ...

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx. 66 inches wide (5.5 ft, 1.68 meters) and 166 inches long (13.8 ft, 4.2 meters) without counting the loops on a side and top!

Many Japanese custom start with the purification ceremony; beginning the year with New Year's ceremony followed by the Setsubun in February, which takes place be...

This is a large doll, probably dated from Meiji to Taisho period, modeling a maiden from the Genroku era (1688-1703). Genroku culture which was the beginning of uprising power of the merchants in the Osaka area was glamorous and quite a contrast to the stiff culture of the samurai. Partially green lipstick that is shown on this doll became fashionable at the time. Her hair style is called Taka (high) Shimada or Bunkin Taka-Shimada.

The doll looks older than shown in some of the photos; h...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos.

24 inches x 26 1/2 inches
Sioze silk front and back.
Circa: Early Taisho period (1912-1926)
Occasion: Wedding or related

At the time of gift giving, the fukusa gift cover was used only with limited pe...

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling. Whoever d...

Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan. The design on this fukusa ...

Japanese fukusa, a silk satin gift cover depicting the Seven Sages of the Bamboo Grove. The development of the Japanese fukusa is closely associated with their custom of gift giving. Japan has been a farming country until recently and crops were directly affected by nature (draft, floods, etc). The rituals were held within their own communities and fresh crops were offered to god. To irrigate and lay the roads, they needed the better their work relationship. The custom of eating and drink...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Beautiful Japanese antique Imari charger, circa Meiji period (1868-1912).
Dimensions: 14 1/4 inches in diameter x 2 1/2 inches deep