Catalog: Antiques: Regional Art: Asian: Japanese: Textiles (90)

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

Beautiful old Japanese woven silk uchikake gown in new condition. The size of this gown is small (much shorter) and light in weight. We are not sure how gowns in this style were worn but our humble guess would be that they were either made into jackets for upper class women (style is similar to kosode from late Edo period), Noh custumes or wedding gowns (though the sleeves are short). Subtle but beautiful, will make a great wall decoration...

Thick antique cotton futon fabric, Aizome Japanese indigo dye and the design is drawn in Tsutsugaki paste regist. Color Loss. 49" wide x 61" long.

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents’ wish to inspire their sons in manliness, discipline, bravery and the honor codes that are associated with them.

Toyotomi Hideyoshi has been one of the popular characters for Boy’s Day. He was born in a peasant family and worked his way all the way up to top commander of Japan...

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling...

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time...

Antique aizome (traditional Japanese indigo dye) cloth taken from a Japanese bed comforter, thick cotton, circa Meiji Period (1868-1912). Excellent tapestry material. The condition is excellent; it was in new condition when we purchased. This was just washed (twice by mistake) prior to when the photos were taken. There are minor holes (shown in photo) concentrated on the top right side. Because of the size (62 1/2L x 58"W), the photos were taken from the bottom and sides.

This is a beautiful old Japanese maru obi with the design throughout on front and back. It is the kind of obi that we no longer see them produced. The white area is rich white satin and is whiter than shown in the photos. 12-1/4" wide x 154" long. Early 1900.

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems...

This is a Japanese silk obi with a painting of men transporting lumber down the river. It is a scene that became obsolete as new technologies, such as trains, trucks and the creations of dams, developed. It is hand painted on silk with an artist’s signature and seal. We will bring more photos once the obi is flattened from the Nagoya style obi – currently, this obi is being worked on (hand sewn) by a professional.

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals...

Old Japanese nobori banner, a spectacular wall hanging decor piece, circa 1920-1940. Dyed on thick cotton is the farewell scene of *Kusunoki Masashige with his son, Masatsura at Sakurai station. The scroll handed to his son is a will written for the family before he headed to the last battle.

This type of picturesque banner has been used for the Japanese Boy’s Day since late Edo period. Some are still made today but the quality has changed; most of the new noboris are printed. The whit...

Japanese Kesa, Buddhist priests' robe, "ro" summer silk. 44 1/2" x 77", the color changed evenly to a tannned tone. There are some stains in the front and back, and the handle and the folding lines in the back are soiled.

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together.

The design is of two lucky gods from the The Seven Lucky Gods of Japan (SH...

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor. The scene here is famous from the noh play, Shakkyo (stone bridge) ...