Catalog: Antiques: Regional Art: Asian: Japanese: Textiles (90)

Beautiful Japanese kesa made from a very high quality silk brocade. The work shown on this kesa is truly amazing. The gold picks up light easily and when it does, it changes the whole kesa to a golden color. The decoration is an auspicious floral design of hosoge (ancient imaginary flowers said to bloom in heaven) and karakusa...

Antique Japanese Fukusa (gift cover), Kinko (Ch. Qin Gao) on a giant carp. According to old Chinese legend, only a mighty carp can climb the upstream of the Yellow River where water plunges a hundred feet, turning into a water fall. When it does happen, a carp can turn into a dragon and is able to ascend to heaven. Based on the legend, a task that seems almost impossible to attain is called ‘passing the Dragon Gate’...

A Japanese silk oohi (Buddhist priest's ritual shoulder covering), deep salmon pink brocade silk with an overall design of overlapping fan shaped panels and snowflakes interspersed with daisies and Chinese bell flowers, etc; internal corners with Japanese symbols on a white ground. The ties and liner are green silk. Meiji period. Dimensions - 12 1/2" x 58 1/2".

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

Antique uchishiki, Japanese alter cloth, embroidered on silk satin with Chinese theme, “The Seven Sages of the Bamboo Grove”. Probably from late 18th to mid 19th century. 26 3/8" x 25" (67cm x 63 1/2cm).

Condition: This is a beautiful antique textile even with some obvious damage and wear, still solid with a thick cotton backing. The wear is seen particularly on both ends of the design. This quality of needle work is seldom seen.

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

Kesa was originally made from old scraps of material donated to the priests. The scraps became finer and quite luxious in time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This also could mean that the wealthier temples end up collecting the better fabrics or are able to send out for the expensive custom made kesas...

Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

Japanese Kesa, Buddhist Priests' Robe, soft brocades with silk liner. The liner has some discoloration and is soiled. 46" x 77 1/2"

Antique silk Kesa, an outer garment worn by Japanese Buddhist priests, cotton liner, padded with paper, late Edo to early Meiji period. Dimensions: 76 1/2" x 43 1/2"

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long...

A beautiful hand painted Uchikake kimono with pine trees and rocks in sumi-e black ink (dye) style, a symbol of winter, New Year and the longevity. The fabric is Shioze silk (thicker than regular silk), not shiney as satin silk. Very well preserved; no stains. It is evenly discolored to a creamy color and still wearable. Circa, late Meiji to early Showa, 1900 to 1940.

Dimensions: 51 inches (sleeve to sleeve) x 71 inches long

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree. The family mon (crest) is a wild goose. Meiji Period (1868-1912). Approximately 59" wide x 74 1/4" long.

The phoenix is a mythological bird known to appear during times of peace and prosperity. It symbolizes immortality, resurrection, and life after death. Its appearance is said to resemble a heron, eagle, and peacock...

Japanese Kesa, buddhist priests' robe, silk brocades, excellent condition. Circa early 1900 to 1940. Dimensions: 46" x 75"

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku...

Antique Japanese maiwai, katazome stencil dye on cotton, padded and in excellent condition, 51"(4'2") x 51", circa Meiji (1868-1912) to Taisho period (1912-1926). This maiwai is old but has been well maintained, pretty clean condition without any odor. One damaged area (did not go through to the liner) was repaired with very small stitches (photo #9). The photo #10 shows the area before it was repaired with stitches and filled with red color...

Old silk kesa, an outer garment worn by Japanese Buddhist priests. Kesas were originally made from old scraps of material donated to the temples. The scraps became finer and quite luxious with time. People who gave to Buddhist institutions were often keen to give very expensive items, so some fabulous kesas were created from wonderful silk brocades. This could also mean that the wealthier temples ended up collecting better fabrics or were able to send out for expensive custom made kesas...

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever. The technique of marble dye existed in...